"9/11 Frames Per Second" with instructive dominatrix at the Festwochen
Translated from German, summarized and contextualized by DistantNews.
At a glance
- Four short plays titled "9/11 Frames Per Second" explore racism and its consequences after the September 11 attacks.
- The pieces, co-produced with the Wiener Schauspielhaus, feature two American artists discussing government-fueled racism and paranoia.
- The works reflect on the aftermath of 9/11, including the perception of Western capitalism's "castration moment" and the collective forgetting of other disasters.
Four short plays, collectively titled "9/11 Frames Per Second," are being presented at the Wiener Schauspielhaus, delving into the complex aftermath of the September 11 attacks and their impact on racism. Co-produced with the Wiener Schauspielhaus, these pieces feature American artists Claudia Rankine and Helga Davis.
Rankine, a writer, and Davis, an actress, explore the government-incited racism and the resulting anxieties that emerged following the 2001 Al-Qaeda attacks on the Twin Towers. The plays highlight how the attacks drastically fueled racism against non-white individuals, contrasting this with the infrequent labeling of terror attacks perpetrated by white individuals, which often serve to legitimize wars and genocides.
The theatrical works aim to sharpen the focus on the lingering consequences of 9/11. They also reflect on how the fall of the World Trade Center was elevated to a "castration moment" for Western capitalism, while other catastrophic events are largely erased from collective memory. The production invites audiences to confront these historical and societal repercussions.
Originally published by Der Standard in German. Translated, summarized, and contextualized by our editorial team with added local perspective. Read our editorial standards.