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Aliens are real: An octogenarian master's imagination brought to life in film

From Hankyoreh · () Korean

Translated from Korean, summarized and contextualized by DistantNews.

At a glance

In-depth Named sources Context piece
  • Steven Spielberg's new film 'Disclosure Day' explores the possibility of alien existence and humanity's connection to extraterrestrial life.
  • The movie follows a weathercaster who gains the ability to speak all languages after encountering a bird, leading her to uncover government secrets about aliens.
  • The film draws parallels to Spielberg's earlier work 'Close Encounters of the Third Kind' while incorporating elements of conspiracy theories and fantastical imagination.

Steven Spielberg's latest film, 'Disclosure Day,' delves into the profound implications of extraterrestrial existence and humanity's potential connection with alien life. The title itself, 'Disclosure,' is a term used by UFO/UAP researchers, signifying a historic moment when governments would finally reveal long-held secrets about alien beings to the public.

The narrative centers on Margaret (Emily Blunt), a Kansas-based broadcast meteorologist who, after an encounter with a bird in her home, inexplicably begins to speak every language fluently, including Korean. She also develops the ability to read the minds and pasts of those she makes eye contact with. When she collapses during a broadcast after emitting strange, inaudible sounds, government agents arrive at her hospital. Margaret feels compelled to find Daniel (Josh O'Connor), a former employee of a secret government agency who has fled with classified documents related to aliens. Their pursuit is orchestrated by Noah (Colin Firth), the head of a clandestine government organization that has maintained secrecy over alien-related data for 74 years.

'Disclosure Day' echoes Spielberg's 1977 science fiction classic 'Close Encounters of the Third Kind,' serving as either a sequel or a confident answer to the questions posed by that film. In 'Close Encounters,' the protagonist Roy asks government agents, "Is this really happening?" Spielberg himself suggested in a pre-release interview that 'Disclosure Day' might be "a film of truth, not science fiction or scientific speculation." He recalled being denied technical support by NASA during the preparation for 'Close Encounters' and even receiving a request to cancel the production entirely. "When I heard the government opposed the film, it only strengthened my conviction. Something was going on," he said, implying the film might be a product of his belief rather than mere imagination.

When I heard the government opposed the film, it only strengthened my conviction. Something was going on.

โ€” Steven SpielbergSpielberg reflects on the government's reaction to his earlier film 'Close Encounters of the Third Kind,' which influenced his belief in alien existence.

The film weaves together two distinct narrative threads. One follows Daniel's desperate attempt to expose decades-old alien-related files, presented with the tense realism of a classic political thriller. The other strand focuses on Margaret's transformation after connecting with extraterrestrials, and Noah's use of seemingly alien-derived supernatural abilities to capture Margaret and Daniel. This fantastical element evokes the childlike wonder seen in Spielberg's 1982 film 'E.T. the Extra-Terrestrial.'

However, the film's dramatic climax, relying on what might be perceived as outdated Roswell conspiracy theories, may not resonate with all viewers. In an era where films like 'Project Hail Mary' explore friendships with aliens, 'Disclosure Day's' approach to the universe and extraterrestrials feels somewhat rooted in the past, reminiscent of the 'E.T.' era, leaving a slight sense of disappointment.

This might be a film of truth, not science fiction or scientific speculation.

โ€” Steven SpielbergSpielberg describes his new film 'Disclosure Day' in a pre-release interview.
DistantNews Editorial

Originally published by Hankyoreh in Korean. Translated, summarized, and contextualized by our editorial team with added local perspective. Read our editorial standards.