Argentina's General Archive: A hidden treasure seeking public recognition

Emilio Perina, director of Argentina's General Archive of the Nation (AGN), passionately advocates for the recognition of this vital institution, which he describes as the country's most important yet least known repository of history. Perina highlights the unique nature of the AGN's collection, stating that "90% of what we keep are unique, irrecoverable, and incunable documents." This stands in stark contrast to the National Library, where he notes that "90% of what the library holds exists elsewhere, in any bookstore or on the internet." The AGN's holdings are so singular that a catastrophe would result in an "irreparable blow" to national heritage, as there are no second copies anywhere in the world.

Perina shares personal anecdotes that illustrate the profound impact of the archive's contents. He recounts the "shock" of seeing a 1901 film of Bartolomé Mitre, a figure he previously imagined as a mere "stamp," walking and appearing as a living person. Another film that deeply moves him is of Arturo Frondizi's arrival in the United States, a significant moment for him as the son of a "frondizista." He also cherishes a photograph of a giant giraffe appearing over the Cabildo during a 1942 carnival, calling it "genius" and proof that archives hold fascination beyond academic circles.

Despite housing treasures that offer a tangible connection to the past, the AGN remains largely invisible to the public, operating primarily within the realm of historians and researchers. Perina is leading a "demystifying crusade" to change this perception. He envisions the archive becoming a part of the tourist circuits in Buenos Aires, arguing, "It cannot be that we are not listed." His goal is to make the public aware that the archive offers much more than just historical documents; it provides a dynamic and engaging window into Argentina's past, accessible and relevant to everyone.