Artists, gallerists, ambassadors, and patrons pay tribute to Le Parc, 'a generous and visionary genius'

The art world is mourning the loss of Julio Le Parc, the renowned Argentine artist, who passed away in Paris. Tributes from officials, institutions, museums, galleries, ambassadors, patrons, and fellow artists pour in, remembering him as a "generous and visionary genius."

Artist Pablo Reinoso, who shared a close friendship with Le Parc, recounted his early inspiration from Le Parc's work at age 12. He described their later friendship, forged in Paris, as a cherished connection. Reinoso remembered Le Parc's sharp wit, tireless work ethic, and profound Argentine identity, stating, "I thank life for having put him in my path."

Photographer Marcos López hailed Le Parc as one of Argentina's most important artists of all time, emphasizing his remarkable ability to remain actively productive in his later years, creating works with the same or even greater expressive force than his earlier pieces.

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He perdido a un amigo muy querido.

Artist La Chola Poblete reflected on Le Parc's significance not only as a major figure in Argentine art history but also as a pioneer who demonstrated that success on a global scale was achievable from Mendoza. She highlighted his contributions to experimentation, freedom, and imagination, noting his enduring connection to his origins. Poblete also recalled Le Parc's 1966 Grand Prix win at the Venice Biennale, which brought international recognition to Argentina and paved the way for future generations of Argentine artists on the world stage.

Andrés Duprat, director of the National Museum of Fine Arts, expressed his sorrow, calling Le Parc one of Argentina's most internationally transcendent artists. Duprat mentioned that Le Parc was scheduled to open an exhibition at the Tate Modern in London within the week.

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Tenía un humor ácido e incansable, y había que seguirle el ritmo. Era argentino hasta la médula. Agradezco a la vida haberlo puesto en mi camino e incluso haber expuesto juntos. Era un trabajador implacable: no concebía la vida sin ponerse su guardapolvo azul, con sus lápices y materiales para crear. Era un bicho fantástico.