Box office: the surprise show that broke into the theater top 10
Translated from Spanish and summarized by DistantNews. Read the original for the full story.
At a glance
- Hairspray topped last week’s attendance ranking as it ended its 2026 run, followed by Sottovoce and Desde el jardín.
- Rocky and Una navidad de mierda completed the five highest-attended productions, while Mamá, soy un idiota reached ninth place after only two performances.
- The rankings came as Argentina’s alternative theater sector continued voicing demands at a press conference held at Timbre 4.
Two major productions said goodbye to Buenos Aires theaters on Sunday, but the week’s biggest surprise came from a show that had barely begun its run. Mamá, soy un idiota, the philosophical fiction led by Darío Sztajnszrajber and Leticia Mazur, entered the commercial theater top 10 after only two performances.
The latest figures from Aadet, the association representing producers and theater owners in the commercial circuit, placed Hairspray first in attendance. The musical, starring Damián Betular, Alejandra Radano and Sofía Morandi, closed its 2026 season and will return in March next year.
Sottovoce, starring Fernán Mirás, Carla Peterson, Adrián Suar and Lorena Vega, ranked second. Desde el jardín, featuring Guillermo Francella, came third and continued to draw audiences at the Metropolitan, a smaller venue than the Coliseo and El Nacional. Rocky, with Nicolás Vázquez and Dai Fernández, ranked fourth, while Una navidad de mierda, starring Verónica Llinás, Alejo García Pintos, Anita Gutiérrez and Tomás Fonzi, took fifth place.
The second half of the top 10 included established titles such as Berlín, Berlín, with Pablo Rago; Cuestión de género, with Moria Casán and Jorge Marrale; and Annie, with Lizy Tagliani, Miguel Ángel Rodríguez and Julieta Nair Calvo. Mamá, soy un idiota placed ninth, ahead of La función que sale mal, which had six performances.
The departures of Hairspray and Invasiones I: No bombardeen Buenos Aires, the public-theater production starring Elena Roger, came as the alternative theater sector pressed its demands. A press conference at Timbre 4 opened the week, bringing those concerns into the public conversation.
Originally published by La Nación in Spanish. Translated, summarized, and contextualized automatically by DistantNews, with a note on how the source frames the story. Not individually reviewed before publishing. How this works.