Contemporary art star Ibrahim Mahama invests Art Basel: 'What can the world learn from us?'
Translated from French, summarized and contextualized by DistantNews.
At a glance
- Contemporary artist Ibrahim Mahama is showcasing a new installation at Art Basel in Basel, Switzerland.
- Mahama, who received the Gold Award for established artists, is known for his large-scale installations using jute sacks.
- He is also building a cultural and societal revolution in Tamale, northern Ghana, through his Red Clay studio and art center.
Ibrahim Mahama, a prominent figure in contemporary art, is presenting his latest installation, "God of Small Things," on Basel's Mรผnsterplatz as the guest of honor at Art Basel and a recipient of the Gold Award. His work, often characterized by the use of jute sacks historically employed for transport, has gained international recognition, appearing in major institutions like the Venice Biennale and Documenta.
Beyond his international acclaim, Mahama is fostering a significant cultural and societal transformation in Tamale, a city in northern Ghana. His decade-old Red Clay studio and open-air art center has become a focal point, drawing attention even from residents of the capital, Accra. This initiative represents a patient, grassroots revolution aimed at reshaping the region's cultural landscape.
What can the world learn from us?
Mahama's artistic practice extends beyond mere aesthetics; it engages with themes of labor, trade, and community. The jute sacks, remnants of global commerce, are repurposed to create monumental installations that speak to the history and ongoing realities of the places they originate from. His work invites viewers to consider the interconnectedness of global economies and local realities, positioning his northern Ghanaian base as a hub of artistic innovation and social change.
Ah, you are going to see Ibrahim Mahama's Red Clay studio!
Originally published by Le Temps in French. Translated, summarized, and contextualized by our editorial team with added local perspective. Read our editorial standards.