Dolly Parton's fiery debut: How '9 to 5' turned a country star into a movie icon
Translated from English and summarized by DistantNews. Read the original for the full story.
At a glance
- Dolly Parton transitioned from country music stardom to acting with her role as Doralee Rhodes in the 1980 film "9 to 5."
- The film, conceived by Jane Fonda, featured Parton alongside Fonda and Lily Tomlin as three women pushed to their limits by a misogynistic boss.
- "9 to 5" was a commercial success, grossing over $103 million, and is noted for its feminist themes and Parton's surprisingly natural screen presence.
In a pivotal scene from the 1980 film "9 to 5," Dolly Parton's character, Doralee Rhodes, confronts her sleazy boss, Frank Hart. Pinned to his office chair, she delivers a chilling ultimatum: "Look, I've got a gun out there in my purse. And up to now I've been forgiving and forgetting because of the way I was brought up, but I'll tell you one thing. If you ever say another word about me โฆ I'm gonna get that gun of mine, and I'm gonna change you from a rooster to a hen with one shot."
Look, I've got a gun out there in my purse. And up to now I've been forgiving and forgetting because of the way I was brought up, but I'll tell you one thing. If you ever say another word about me โฆ I'm gonna get that gun of mine, and I'm gonna change you from a rooster to a hen with one shot.
These powerful words marked a significant career shift for Parton, transitioning from a celebrated country music singer to a movie star. The film "9 to 5," directed by Colin Higgins, originated from an idea by actress Jane Fonda, who also starred in the movie alongside comedian Lily Tomlin and Parton. Parton, in a 1980 interview, recalled her initial inexperience on a film set, having memorized the entire script, ready to perform it all in one day.
Fonda played Judy, a housewife forced into the workforce, who teams up with Parton's and Tomlin's characters. Dabney Coleman portrayed the role of Frank Hart, their exploitative and misogynistic boss at "Consolidated Companies." Throughout the film's 110-minute runtime, the three women endure sexual harassment, overwork, and unfair dismissals.
I'd fully memorised the entire script because I'd no idea that we would be doing just bits and pieces at a time. Why, I was ready to do the whole thing the first day.
Film critic Roger Ebert praised Parton's performance, calling her a "natural-born movie star" and awarding the film three out of four stars. He noted her effortless screen presence, making it hard to believe it was her debut. The film's feminist undertones were particularly radical for its time, with women exacting revenge on their tormentor. As feminist media studies expert Jessica Ford observed, the film's climax, where the boss faces physical retribution, was a rare and revolutionary moment, allowing the women's voices to be heard and their experiences validated.
We've got mainstream film about women exacting their revenge on men, but very few of them actually go as far as physically torturing the men. We see them actually unburdening themselves and having this cathartic moment of telling him the torture he has put them through. And I think that's quite radical and revolutionary to give the film this moment in which these women's voices are not being silenced. Because he's literally, from memory, gagged.
"9 to 5" proved to be a major box office hit, grossing $103.3 million. Its success cemented Parton's status as a versatile performer and highlighted the film's enduring legacy as a commentary on workplace inequality and female empowerment.
[Parton] is โฆ a natural-born movie star, a performer who holds our attention so easily that it's hard to believe it's her first film.
Originally published by ABC Australia in English. Translated, summarized, and contextualized automatically by DistantNews, with a note on how the source frames the story. Not individually reviewed before publishing. How this works.