Half a Trabant serves as a unique street library in the Netherlands
Translated from Dutch, summarized and contextualized by DistantNews.
At a glance
- A street library in the Netherlands is housed in a half-Trabant car with the license plate BUKOWSKI.
- The car's trunk opens to reveal books, including works by Philip Roth, Paul Theroux, and Mario Vargas Llosa.
- The article details Vargas Llosa's novel "The Vexations of a Pretty Girl," focusing on its themes of obsession and unrequited love.
A unique street library in the Netherlands has taken an unconventional form: a half-Trabant car. Parked on a road between Lutjewinkel and Zijdewind in North Holland, the car sports the license plate BUKOWSKI, hinting at its literary contents. Inside, accessible by opening the rear hatch, a curated selection of books awaits readers.
The collection features notable authors such as Philip Roth and Paul Theroux, alongside Dutch writer Gerard Reve and characters from "Suske en Wiske." A prominent inclusion is "The Vexations of a Pretty Girl" by Peruvian Nobel laureate Mario Vargas Llosa. The novel, published in 2006 and translated by Aline Glastra van Loon and Arie van der Wal, is described as his "first true love novel."
Manke Laรฑas asked a girl for the first time - the red-haired Seminauel - if she wanted to be his girlfriend and to the surprise of all Miraflores she said yes. The Manke promptly forgot his lameness and from then on walked like a Charles Atlas with his chest forward through the streets.
The article delves into Vargas Llosa's narrative technique, highlighting the "fantastic summer" of 1950 in Lima's Miraflores district. It contrasts the blossoming love of "Manke Laรฑas" with the unrequited affections of the protagonist, Ricardo Somocurcio, for the enigmatic Lily. Lily and her sister, initially perceived as Chilean, are revealed to be poor girls who adopted an accent to conceal their background.
Ricardo's pursuit of Lily, who he encounters across the globe in various guises, from a Marxist revolutionary to a Japanese gangster's partner, forms the core of the novel. Their relationship is characterized by his declarations of love and her cool detachment, referring to him as "good boy" while he calls her "naughty girl." The narrative suggests Ricardo is more captivated by the idea of his elusive love than by the woman herself, portraying a man obsessed with what he cannot possess.
She lets herself be caressed by him, commands him in and out of bed, consistently calls him 'good boy.' He calls her 'naughty girl.'
Originally published by NRC Handelsblad in Dutch. Translated, summarized, and contextualized by our editorial team with added local perspective. Read our editorial standards.