In Rio, artisan crafts World Cup trophies while hoping Brazil gets a real one
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At a glance
- Jarbas Meneghini crafts thousands of plaster replicas of the World Cup trophy from his Rio de Janeiro workshop.
- His business, inspired by Brazil's 1994 win, exports replicas globally and sells them to local fans.
- Meneghini has increased production significantly for the upcoming World Cup, driven by renewed hope for Brazil to win its first title since 2002.
In Rio de Janeiro, the passion for football runs deep, and for craftsman Jarbas Meneghini, it's a tangible, replicable passion. For decades, Brazilians have dreamed of lifting the World Cup, and Meneghini's workshop taps directly into that fervent hope.
I saw Dunga holding the trophy and said I would buy one, but you can't find it anywhere. So I decided to make it myself using the technical skills I learned doing metalwork.
His plaster replicas, meticulously crafted and exported worldwide, are more than just souvenirs. They are symbols of national pride and a testament to the enduring belief that Brazil, the nation with the most World Cup titles, will once again conquer the world stage. The fact that he has ramped up production so dramatically for this year's tournament underscores the collective anticipation that grips the country.
I make thousands of trophies from the same mold. Some are painted, and others I make more special, with chrome - they stand out more, you can see yourself reflected in them as you kiss them.
While international media might focus on the teams and star players, here in Brazil, the story of Meneghini highlights how the World Cup permeates every level of society. It's about the fans, the artisans, and the shared dream that fuels a nation's spirit. His business is a microcosm of Brazil's relationship with the beautiful game โ a blend of artistry, commerce, and unwavering optimism.
Brazil have gone a long time without winning it. Hope is in our hearts again.
Originally published by CNA. Summarized and contextualized automatically by DistantNews, with a note on how the source frames the story. Not individually reviewed before publishing. How this works.