“King Sejong the Great looks trapped behind bars”…Criticism Mounts Over Oh Se-hoon’s ‘Garden of Gratitude’ Sculpture

Seoul's Gwanghwamun Square, a space historically resonant with national pride and democratic expression, has become the center of a heated controversy following the installation of the 'Garden of Gratitude.' This 20.7 billion won project, intended to commemorate the 23 nations that participated in the Korean War, has been met with a barrage of criticism from politicians and the public alike, who deem its design aesthetically jarring and ideologically questionable.

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Looking at the photo, it was so bizarre that I came to see it myself after finishing my schedule today.

The sculpture, composed of 23 stone pillars, has been likened to a 'salute' or, more disturbingly, to 'bars' trapping the statue of King Sejong the Great, and even 'animal carcasses.' Democratic Party lawmaker Lee So-young vehemently denounced the installation, calling it a 'violation' against the public space and an 'ideological brushstroke' on Korean history. This strong reaction reflects a deep-seated concern among many citizens that the project is not only a colossal waste of taxpayer money but also a misrepresentation of national sentiment.

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Who, and why, installed such a bizarre sculpture reminiscent of animal carcasses in the square where one feels good just by walking because it is open in all directions?

Adding fuel to the fire, the project's unveiling coincided with the Seoul mayoral election campaign, with incumbent Mayor Oh Se-hoon of the People Power Party defending the 'Garden of Gratitude' as a symbol of pride and a testament to the sacrifices of Korean War veterans. He accused the opposition of 'sabotage' and 'false propaganda' for criticizing the project. However, critics, including the Jo Guk Innovation Party, argue that Oh is leveraging the project for personal political gain, using public funds to bolster his image just before the election.

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This is not just a waste of budget, but a 'violation' of Gwanghwamun Square, which belongs to our people. It is an 'ideological brushstroke' on our history and culture. It's horrifying.

The public's response, largely expressed through social media comments on Seoul City's official pages, has been overwhelmingly negative. Phrases like 'hideous,' 'tear it down immediately,' and 'what a waste of money' dominate the comment sections. While a few comments express appreciation, calling it 'touching' and 'meaningful,' the prevailing sentiment is one of dismay and anger. This stark division highlights the contentious nature of public art and the challenges of balancing commemorative intent with public opinion and fiscal responsibility, especially in a politically charged atmosphere.

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Despite the organized obstruction and false propaganda from the Lee Jae-myung government and the Democratic Party, the Garden of Gratitude has found its place in Gwanghwamun Square and will play a precious role.