Sarhan deciphers the language of "genders and ultras" .. passion, protest, and symbol-making

Moroccan poet Saad Sarhan delves into the complex tapestry of football, examining how the sport intertwines with broader societal, political, cultural, and even violent aspects of modern human experience. In his analysis, Sarhan focuses on two central phenomena: the integration of diverse nationalities within football teams and the emergence of "Ultras" as entities that extend beyond mere cheering to create distinct cultural and social discourse.

Sarhan traces the historical roots of football, noting that in the 19th century, clubs and national teams were largely homogenous, composed of individuals from similar backgrounds. However, the 20th century, marked by colonialism, saw European clubs actively recruit talent from their colonies, leading to a "gender mixing", a term borrowed from critical discourse, within teams. This practice, Sarhan argues, has continued, with major footballing powers now drawing talent from across the globe to play for their national colors. He points to the French national team as a stark example of this phenomenon.

Beyond the composition of teams, Sarhan explores the cultural significance of fan groups known as "Ultras." These organized fan bases have transformed stadium stands into spaces for expression, protest, and the creation of symbols. Their impact, he suggests, goes beyond simple support for a team, contributing to a unique cultural and social dialogue.

Furthermore, Sarhan posits that contemporary football has evolved into a performance art. He draws parallels between a football match and a cinematic production, noting the presence of scenarios, directors, camera work, lighting, and dramatic plays by athletes. The live, unedited nature of the game, coupled with the passionate displays in the stands, chants, tifos, and artistic displays, and the eloquent commentary, elevates football beyond a mere sport. Sarhan concludes that football, having shed its association with the "mob game" of its origins, now rightfully claims a place within the arts, deserving recognition as the "mother of all arts" from a theatrical perspective and the "ninth art" from a cinematic one.