Veteran actor Makhyoun prioritizes participation over prestige
Translated from Arabic, summarized and contextualized by DistantNews.
At a glance
- Veteran Egyptian actor Abdel Aziz Makhyoun accepts roles of any size, prioritizing continued participation in the industry over turning down parts that don't meet his stature.
- Makhyoun's pragmatic approach contrasts with some peers who refuse roles they deem beneath them, reflecting his realistic view of the industry's supply and demand.
- The article highlights Makhyoun's long career, including a prestigious award at the Carthage Film Festival, and his principled stance on artistic integrity despite personal and professional challenges.
Veteran Egyptian actor Abdel Aziz Makhyoun embodies a pragmatic approach to his career, accepting roles regardless of their size. He believes staying in the game, even with smaller parts, is crucial, contrasting with peers who refuse roles they deem unworthy of their reputation. Makhyoun sees this as a realistic stance in an industry governed by supply and demand, where turning down offers can lead to complete withdrawal.
His career, spanning decades, includes a significant moment at the Carthage Film Festival where he received the prestigious Golden Tanit award. This recognition prompted reflection on the appreciation afforded to actors in Egypt, particularly those who form the industry's backbone rather than being "superstars." Makhyoun's journey, though not always in the spotlight, has maintained his creative space, even when his name wasn't prominently featured.
My principle is to face myself and say: this is what I am worth now to production companies, and if I lose that, I might not find another space.
Makhyoun's philosophy is rooted in self-assessment and adaptation. He acknowledges the industry's complexities and the fluctuating availability of roles. "My principle is to face myself and say: this is what I am worth now to production companies," he stated. This realistic outlook, he argues, ensures continued opportunities, unlike the perceived "withdrawal" of refusing work. He views this as a strategic balance, not a compromise, allowing him to navigate the artistic landscape effectively.
The article also touches upon Makhyoun's past association with portraying the renowned composer Mohamed Abdel Wahab and his subsequent decision to step back from roles that sought to exploit his likeness. It concludes by noting his political stances and personal misfortunes, emphasizing that despite these challenges, he has maintained his dignity and pride throughout his career.
The small role means to me that I am still on the field, while apologizing, whatever the excuse, has the taste of withdrawal.
Originally published by Al-Masry Al-Youm in Arabic. Translated, summarized, and contextualized by our editorial team with added local perspective. Read our editorial standards.