What would Kane Parsons do if he woke up in a backroom? This is what he answered at CCXP Mexico 2026

El Universal, a prominent Mexican newspaper, covers director Kane Parsons' participation in CCXP Mexico 2026, where he discussed his upcoming A24 film, "Backrooms." The article highlights Parsons' insights into the creation of the film's unsettling environments and his connection with the Mexican audience.

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Todo este trabajo en la película ha sido, en cierto modo, un ejercicio meta de hacer cosas similares a las que viven los personajes, aunque sin una amenaza real. Yo diría que dejaría que la curiosidad me dominara. Sería lo único en lo que me concentraría, hasta intentar comprenderlo… aunque puede que eso nunca pase. Creo que me perjudicaría bastante

Parsons described the "Backrooms" concept as an exercise in exploring "infinite, disturbing spaces with no clear exit," blending the everyday with the unsettling. He admitted that his own curiosity would drive him if he were trapped in such a space, though he acknowledged this could be detrimental. He emphasized that the fear in the "Backrooms" stems not from an explicit threat, but from the viewer's own mind constructing the danger within the seemingly mundane settings.

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Es la experiencia más simple: una persona sola en una habitación. Puede ser algo muy profundo si se aborda de forma meditativa, pero también puede ser muy destructivo si se impone a alguien

Significantly, Parsons noted that Mexico represents his second-largest audience for found footage and fixed-camera formats, trailing only the United States. This observation underscores the strong interest in these niche genres within Mexico, a point of pride and connection for the director. The article also mentions exclusive clips shown at the event, which attendees were forbidden from recording, adding to the mystique of the film's presentation.

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Los backrooms no tienen un solo creador, pues nacieron como una leyenda urbana en internet. Su origen se remonta a foros como 4chan, donde usuarios describían espacios amarillos interminables que aparecían en sueños o estados de desconexión.

From a Mexican perspective, hosting a director like Kane Parsons at CCXP Mexico is a significant cultural event, particularly for fans of horror and experimental cinema. The "Backrooms" phenomenon, originating as an internet urban legend, has found a substantial following in Mexico, as evidenced by Parsons' comments. The article frames this not just as a film promotion but as a recognition of Mexico's role as a key market and audience for innovative, genre-bending content, reflecting a growing appreciation for such works within the country.

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Los backrooms vienen de una ansiedad colectiva, ya sea por la pandemia o por el sistema industrial. No hubo un punto de quiebre, fue algo gradual: la gente proyectó sus miedos. Es una forma de perder la cordura; cuando estás privado de muchas cosas, buscas algo que te inspire