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Azizah Mahzan rejects liberal scripts
๐Ÿ‡ฒ๐Ÿ‡พ Malaysia /Culture & Society

Azizah Mahzan rejects liberal scripts

From Utusan Malaysia · () Malay

Translated from Malay, summarized and contextualized by DistantNews.

At a glance

News Named sources Context piece
  • Actress Azizah Mahzan refused a joint drama project with the Netherlands because she was asked to remove her hijab for a role set in 1942.
  • She cited her principles and progress as a devout Muslim woman, stating the request conflicted with her religious identity.
  • Mahzan is now selective about roles, avoiding liberal scripts and those that portray Malays negatively, especially when production teams withhold scripts until filming begins.

Actress Azizah Mahzan has turned down a collaborative drama project between Malaysia and the Netherlands, citing a request to remove her hijab as the reason for her refusal. The role required her to shed her headscarf to portray a character living in 1942, a demand Mahzan found contrary to her principles as a devout Muslim woman.

The offer came this year. I had to remove my hijab to fit the circumstances of World War II. I refused politely. For me, it was not my wish, especially being asked to remove my hijab. For me, it conflicts with my principles as a Muslim woman.

โ€” Azizah MahzanExplaining her refusal of the Dutch drama project.

"The offer came this year. I had to remove my hijab to fit the circumstances of World War II. I refused politely. For me, it was not my wish, especially being asked to remove my hijab. For me, it conflicts with my principles as a Muslim woman," Mahzan shared.

Perhaps I am not part of this generation. And it's not that I cannot adapt to how the new generation makes dramas. But I don't dare because the works of this generation are beyond my reach.

โ€” Azizah MahzanDescribing her hesitation with contemporary drama scripts.

Mahzan revealed she has become more selective in accepting acting offers due to a proliferation of "liberal scripts." She expressed apprehension about accepting contemporary works, stating, "Perhaps I am not part of this generation. And it's not that I cannot adapt to how the new generation makes dramas. But I don't dare because the works of this generation are beyond my reach."

Besides stories about surrogate mothers, there are other stories that contradict Islamic teachings. The problem is, some production teams do not hand over the script before filming. I don't have the opportunity to know the storyline in depth.

โ€” Azizah MahzanDiscussing problematic scripts and production practices.

She specifically mentioned rejecting scripts about "mistresses" or those that "belittle the Malay race," as well as stories about "surrogate mothers" that she feels contradict Islamic teachings. Mahzan also highlighted issues with some production teams who do not provide scripts before filming, leaving her unaware of the storyline until shooting begins. "When filming starts, I only then discover scenes that I do not like. As a Malay, I am not willing to act in stories that depict the bad side of my race," she added.

When filming starts, I only then discover scenes that I do not like. As a Malay, I am not willing to act in stories that depict the bad side of my race.

โ€” Azizah MahzanExpressing her stance on portraying the Malay community.
DistantNews Editorial

Originally published by Utusan Malaysia in Malay. Translated, summarized, and contextualized by our editorial team with added local perspective. Read our editorial standards.