Bushra Ansari wants Pakistani TV to tell more issue-based stories
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At a glance
- Veteran Pakistani actor Bushra Ansari has called for television dramas to examine the root causes of social problems rather than repeat familiar domestic conflicts.
- Ansari said she wanted issue-based stories that address poverty, abuse, education, unsafe roads and dysfunctional institutions while giving audiences material to question and learn from.
- Reflecting on her career since joining Pakistan Television in 1968, she contrasted earlier realistic, literature-influenced programming with what she sees as formulaic storytelling today.
Bushra Ansari says Pakistani television should stop circling the same domestic conflicts and start asking harder questions about the problems ordinary people face. For the veteran actor, singer and writer, showing poverty, domestic abuse, weak education, unsafe roads or dysfunctional institutions is not enough. A drama should also explore why those problems exist.
I havenโt been writing for four years.
โI havenโt been writing for four years,โ Ansari said in an interview, explaining that much of the material being produced no longer interests her. Her preference remains issue-based storytelling. โThere should be root causes,โ she said, arguing that television should look beneath social problems instead of merely presenting them as background or plot devices.
Ansari recalled an earlier television culture shaped by literature, theatre, music, cinema and everyday life. โWe didnโt have the idea of a heroine in our heads,โ she said. โWe wanted good characters.โ She remembered watching films such as Gone with the Wind, reading Wuthering Heights and following Indian cinema. That wider cultural exposure, she said, helped produce realistic work for television.
There should be root causes.
She cited Alif Noon as an example of a production that remained memorable decades later. In her view, television could entertain while also prompting audiences to observe, question and learn. โItโs a sad thing to say we donโt have that now,โ she said. She also recalled a period when producers were willing to experiment, from comic costumes and props to dramas dealing with age, relationships and other subjects that could still provoke discussion.
We didnโt have the idea of a heroine in our heads. We wanted good characters.
Ansari joined PTV in 1968 as a singer and later moved into acting after initially facing her fatherโs hesitation. She said her husband, a director, supported her decision to continue working after marriage. Looking back on the industry she entered as a teenager, her message remained direct: entertainment should engage with real life and return to lessons that matter.
Itโs a sad thing to say we donโt have that now.
Originally published by The Express Tribune. Summarized and contextualized automatically by DistantNews, with a note on how the source frames the story. Not individually reviewed before publishing. How this works.