DistantNews
Support us
๐Ÿ‡ณ๐Ÿ‡ฌ Nigeria /Economy & Trade

Capital markets must fund creative sector, says Kwairanga

From The Punch · () English

Summarized by DistantNews. Read the original for the full story.

At a glance

News Named sources New plan
  • Nigeria's capital markets must invest in the growing creative and innovative economy, says Nigerian Exchange Group Chairman Alhaji Umaru Kwairanga.
  • Kwairanga urged financial institutions to treat the creative sector as a serious asset class, not just a cultural footnote, to unlock sustainable economic value.
  • He highlighted the need for better monetisation structures and financing systems to support artists and the broader creative ecosystem.

Alhaji Umaru Kwairanga, Chairman of Nigerian Exchange Group Plc, is urging African capital markets and financial institutions to broaden their investment horizons beyond traditional sectors like oil and manufacturing. He advocates for embracing the continent's rapidly expanding creative and innovative economy as a significant investment asset class.

Given the increasing popularity of our arts, our music, and our movies, African financial institutions need to take the creative and innovation economy seriously as an asset class rather than just a cultural footnote.

· Alhaji Umaru KwairangaStated during his opening remarks at the Africa Soft Power Summit in Nairobi.

"Given the increasing popularity of our arts, our music, and our movies, African financial institutions need to take the creative and innovation economy seriously as an asset class rather than just a cultural footnote," Kwairanga stated at the Africa Soft Power Summit in Nairobi. The summit aims to strengthen the links between Africa's creative industries, technology, and capital markets, focusing on converting global cultural influence into economic value.

Kwairanga pointed out that while some African artists gain international recognition, many creative sectors lack adequate monetisation structures and financing. He questioned whether artists like Tyla and Burna Boy are fully leveraging branding and copyright benefits, and if Nollywood's value chain properly rewards its contributors. He also raised concerns about replicating the success of firms like Safaricom without robust financing for technology ecosystems.

Are artists such as Tyla, Burna Boy, or Diamond Platnumz fully exploiting the benefits derivable from branding, copyrights, ticket and concert revenues, and so forth? Is there a value chain in Nollywood or the East African movie industry that properly rewards the thousands who, in one way or another, contribute to the light that our creative artists radiate?

· Alhaji Umaru KwairangaQuestioning the current monetisation and reward systems within the creative sector.

"As Africaโ€™s economies become increasingly driven by innovation, digital enterprise, intellectual property, and creative talent, our role is not only to provide platforms for capital formation but also to help build the ecosystem that allows these sectors to scale sustainably," Kwairanga explained. He stressed that future African exchanges must connect with emerging creators and innovators, moving beyond traditional industries to shape the continent's next chapter.

As Africaโ€™s economies become increasingly driven by innovation, digital enterprise, intellectual property, and creative talent, our role is not only to provide platforms for capital formation but also to help build the ecosystem that allows these sectors to scale sustainably.

· Alhaji Umaru KwairangaExplaining the evolving role of financial institutions in supporting innovation-driven businesses.
About this summary

Originally published by The Punch. Summarized and contextualized automatically by DistantNews, with a note on how the source frames the story. Not individually reviewed before publishing. How this works.