Carly grew up in a cult. The experience partly inspired her latest show

Choreographer Carly Sheppard is set to premiere her new work, "The Shepherds," at the inaugural Australian Dance Biennale, presented as part of Melbourne's Rising festival. The darkly comedic piece, co-created with choreographic partner Alisdair Macindoe, explores the complex themes of cults, belonging, and the experience of being a settler. Sheppard, a descendant of the Takalaka people of North Queensland, found inspiration for the work in her own upbringing within a cult. She describes the concept of a "shepherd" as linked to "a bunch of trauma and some serious schisms" from her past, also reflecting on the historical impact of missions and missionaries on Indigenous peoples. The symbolism of Macindoe, a settler in Australia, working with Sheppard, who identifies as an "orphan of the colony" due to growing up off Country without learning her language or dances, adds another layer to the performance. Together, they created a "cult and a ceremonial event" for the stage, which Sheppard describes as "cool and intense." This work marks a significant artistic homecoming for Sheppard, who trained in dance but had previously moved towards experimental performance and acting. Her collaboration with Macindoe aligns with her commitment to return to dancing and choreography, blending her personal history with broader explorations of identity and land.

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