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๐Ÿ‡ต๐Ÿ‡พ Paraguay /Culture & Society

Cuban pianist Daniel Amat calls for a return to musical roots

From ABC Color · () Spanish

Translated from Spanish and summarized by DistantNews. Read the original for the full story.

At a glance

In-depth Named sources Context piece
  • Cuban pianist and producer Daniel Amat said returning to musical roots is essential to authentic artistic creation, not a nostalgic look at the past.
  • Speaking at a music gathering in southern Spain, he defended studying tradition as protection against fleeting trends driven by digital consumption and market pressures.
  • Amat also described the piano as a bridge between academic discipline, jazz improvisation and Afro-Cuban rhythm, while highlighting links between Andalusian and Caribbean music.

For Cuban pianist and producer Daniel Amat, returning to musical roots is not an exercise in nostalgia. It is the only way to preserve authentic artistic creation.

Amat made the case during โ€œRoots in Dialogue: Folklore, Jazz and Afro-Latin American Traditions from Jaรฉn,โ€ a musical gathering organized by the International University of Andalusia as part of its summer courses in southern Spain. He argued that, amid digital consumption and market-driven music, studying tradition offers a โ€œsafeguardโ€ against passing fashions.

The humanity transmitted from the beginnings of music, whether in blues, Cuban music or Brazilian music, will never be lost despite impositions or trends.

· Daniel AmatAmat argued that musical traditions can endure despite commercial and cultural pressures.

โ€œThe humanity transmitted from the beginnings of music, whether in blues, Cuban music or Brazilian music, will never be lost despite impositions or trends,โ€ Amat said. He explained that the piano became his ideal instrument for combining academic rigor with jazz improvisation and Afro-Cuban rhythmic drive.

The piano is a magnificent vehicle for composing, arranging and giving an outlet to all your musical concerns.

· Daniel AmatHe described why he chose the piano over the trumpet.

Amat began studying trumpet and percussion before discovering that the keyboard could unite rhythm and harmony. In Cuba, he said, the piano is a relatively young instrument that has undergone many transformations because of the countryโ€™s rhythmic richness. The trumpet felt โ€œlimitedโ€ to him because it produced only one sound at a time, while the piano offered what he called โ€œgloryโ€ by allowing him to carry percussion into the instrument.

โ€œThe piano is a magnificent vehicle for composing, arranging and giving an outlet to all your musical concerns,โ€ he said. He also emphasized the historic and cultural ties between Andalusian and Caribbean music. โ€œWe have many Andalusian roots in Cuban music. In this course, we are precisely looking for the common starting points between Andalusian music and global music. When we go back to the beginnings, we find one another, which is very satisfying.โ€

We have many Andalusian roots in Cuban music. In this course, we are precisely looking for the common starting points between Andalusian music and global music. When we go back to the beginnings, we find one another, which is very satisfying.

· Daniel AmatAmat highlighted the cultural links explored at the Jaรฉn gathering.

As the music industry becomes increasingly shaped by algorithms and social mediaโ€™s immediacy, Amat urged listeners to reconnect with family memory and emotional inheritance. โ€œConnecting with roots means connecting with the soundtrack we all carry inside us,โ€ he said. โ€œWhen you explain to young people where things come from, they identify with them.โ€

Connecting with roots means connecting with the soundtrack we all carry inside us. When you explain to young people where things come from, they identify with them.

· Daniel AmatHe called for younger audiences to engage with musical memory and tradition.
About this summary

Originally published by ABC Color in Spanish. Translated, summarized, and contextualized automatically by DistantNews, with a note on how the source frames the story. Not individually reviewed before publishing. How this works.