Film refuses to stay silent on neo-Nazi violence

Ingvild Søderlind's new feature film provides a stark and dramatic portrayal of the neo-Nazi environment that fostered murderers, alongside an examination of a society that failed to intervene. The movie delves into the complex factors that can lead to extreme violence.

The film specifically addresses the 2001 knife attack on 15-year-old Benjamin Hermansen, an event that marked Norway's first racist murder in the post-World War II era. This incident serves as a focal point for the film's exploration of how such racially motivated crimes can occur within a society.

Søderlind's work is described as tightly directed, well-acted, and highly dramatic. It employs an analytical lens to dissect the circumstances surrounding the murder, aiming to understand the societal dynamics and environmental influences that contributed to the tragedy. The film seeks to shed light on the roots of radicalization and the societal responsibility in preventing such acts.