Film review: 'The Invitation' explores marital decay with visual flair

Olivia Wilde's directorial effort, 'The Invitation,' a remake of the 2020 Spanish comedy 'The People Upstairs,' delves into themes of marital ennui and the potential for reignited passion.

While the original Spanish film was adapted from a stage play, Wilde's American version avoids a theatrical feel through its visually dynamic approach. The film utilizes the texture of 35mm film, varied camera settings, and brisk editing, uncommon for dialogue-heavy films, complemented by its engaging score. These elements, along with a lively setting, make the film a compelling cinematic experience, arguably surpassing its Spanish predecessor.

The ensemble cast delivers strong performances. Seth Rogen brings his signature cynical humor, masking a suffering man. Edward Norton portrays a character who, despite appearing foolish, offers some of the film's most touching moments. Penélope Cruz embodies her character's fiery spirit while maintaining a therapist's restraint. Wilde herself takes on the challenging role of a seemingly superficial, bored housewife, transforming her into a fragile and relatable woman.

The film explores the marriage of Joe and Angela, characterized by constant bickering and a relationship sustained by habit and their child. It questions whether they will recognize the depth their shared life provides. In contrast, Hawk and Piña's passionate relationship is presented as more alluring, offering lessons even for those without similar fantasies. While Norton and Cruz's characters communicate effectively and are depicted as excellent lovers, the film doesn't fully reveal their sacrifices, making their connection feel less profound than it could be, lacking the weight of renunciation that deepens a relationship.