From high school AV guy to Oscar winner: Sean Baker's cinematic journey
Translated from English, summarized and contextualized by DistantNews.
At a glance
- Sean Baker, director of the Oscar-winning film "Anora," shared his journey from a high school AV club member to a celebrated filmmaker.
- Baker discussed his early influences, from mainstream Hollywood to indie cinema, and his evolution as a director.
- He highlighted his diverse filmmaking approaches, including shooting on film, MiniDV, and even iPhones, emphasizing the importance of embracing chaos.
Sean Baker's path to Oscar glory began not on a grand film set, but in a high school AV club in New Jersey. Before the internet and multiplexes offered wider cinematic choices, Baker's early exposure to film was through mainstream Hollywood fare like "Spielberg and Lucas." He devoured film magazines and began experimenting with his parents' Super 8 camera and a VHS camcorder, eventually earning the title of "AV guy" for editing the video yearbook.
It was Spielberg and Lucas, mainstream Hollywood fair.
His move to New York University's Tisch School of the Arts marked a significant broadening of his cinematic tastes. Initially aiming to make films like "Robocop" or "Die Hard," Baker found himself immersed in the burgeoning indie scene of the late 80s and 90s. Discovering filmmakers like Spike Lee, Jim Jarmusch, Soderberg, Hal Hartley, and Tarantino, and surrounded by repertory houses, his focus shifted dramatically towards alternative cinema.
I had the real prestigious title of 'AV guy' at high school.
Now a celebrated figure, Baker recently headlined Vivid festival in Sydney, discussing his journey. He is notably the only person to win four Oscars for a single film in one night, securing Best Picture, Directing, Screenplay, and Editing for "Anora" at the 2025 Academy Awards. This achievement places him among an elite group of filmmakers who have won the prestigious Palme d'Or at Cannes and then the top Academy Award.
I went to NYU thinking I was going to make the next Robocop or Die Hard but it was also that time I was discovering alternative indie cinema.
Baker's career is marked by a willingness to adapt his methods. His debut feature, "Four Letter Words," was shot on "short ends" of 35mm film. Inspired by the Dogme 95 movement, he shot "Take Out" on a MiniDV, and famously used a "souped-up iPhone" for his 2015 film "Tangerine" and his recent short "Sandiwara." Despite his versatility, Baker expresses a fondness for shooting on film, but ultimately advises emerging filmmakers to "embrace the chaos" regardless of the format.
It's a wonderful tool that can look really cool, so I'm not disrespecting that. I just love shooting on film.
Originally published by ABC Australia in English. Translated, summarized, and contextualized by our editorial team with added local perspective. Read our editorial standards.