From Stage to Strategy: Zara Bartel’s Next Act
Summarized and contextualized by DistantNews.
At a glance
- Dancer Zara Bartels transitioned from a successful international dance career, including a role in Disney's The Lion King, to founding a boutique consultancy firm.
- Bartels established 'What Is Must Is' to help businesses manage ambitious ideas while preserving their core humanity and creativity.
- She is also developing a platform called 'Yuh Reach' to assist repatriated nationals with their transition back home, drawing on her own experience of returning to her birth country after living in England for 20 years.
Trinidad and Tobago welcomes back Zara Bartels, a dynamic individual who has traded the spotlight of the international dance stage for the strategic world of business consultancy. After a distinguished career that saw her perform with world-renowned choreographers and serve as the longest-standing dance captain for Disney's The Lion King, Bartels has returned home with a mission to empower local enterprises.
I tested out a childhood dream and did it to a high standard, but I wanted something less consuming than dance, which demands everything if you do it properly.
Her decision to leave the demanding world of dance, a field that requires absolute dedication, was driven by a desire for a more balanced life and a yearning to contribute to her homeland. Bartels' return is guided by a powerful directive from her father: to be a 'coloniser' in the truest sense – to absorb knowledge and experience from abroad and bring it back to enrich her country. This ethos is embodied in her new venture, 'What Is Must Is,' a consultancy aimed at helping businesses navigate growth while retaining their unique cultural identity and human touch.
In dance and theatre, your work hours are everyone else’s social hours, and it can become quite isolating.
Furthermore, Bartels is addressing a critical need for returning nationals with her upcoming platform, 'Yuh Reach.' This initiative seeks to ease the often-challenging transition for those coming home, a cause she understands intimately after two decades in England. Her journey, from the disciplined world of elite dance to the entrepreneurial landscape, showcases a remarkable adaptability and a deep commitment to fostering development within Trinidad and Tobago. Her story is a testament to the diverse talents and ambitions flourishing within our nation, inspiring others to leverage their experiences for the betterment of the community.
That’s usually the obvious path — professional dancer becomes dance teacher — but I knew that wasn’t for me. I respect teaching deeply; some of the most important people in my life are my dance teachers. I am pretty sure and comfortable about who I am, and teaching is not my strength.
Originally published by Trinidad Express. Summarized and contextualized by our editorial team with added local perspective. Read our editorial standards.