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Gen Z Filmmaker’s New Movie Language Is Shaking Up Hollywood

From Hankyoreh · () Korean

Translated from Korean and summarized by DistantNews. Read the original for the full story.

At a glance

In-depth From a news agency Context piece
  • Horror film ‘Obsession,’ directed by YouTuber Curry Barker, has earned more than $500 million after being made on a $750,000 budget.
  • The film follows Bear, whose fear of rejection leads him to use a wish-granting willow that makes Nicky obsessively love him.
  • Its unconventional characters, long takes, restrained music and 1.5:1 aspect ratio have helped distinguish it from conventional horror films.

Curry Barker made his first feature film for theaters after learning filmmaking on YouTube, and the result has become one of Hollywood’s biggest talking points. His horror movie ‘Obsession’ has earned more than $500 million from a production budget of $750,000, nearly 700 times its cost.

Barker, born in 1999 and followed by about 1.6 million YouTube subscribers, first made a one-hour film called ‘Milk & Cereal’ in 2024 for only $800. Distributors rejected it, so he released it on YouTube. The attention that followed helped him make ‘Obsession.’

Barker also rejected investors’ request to change the character of Bear, the film’s protagonist, and used his own money to finish the production. Focus Features, Universal Pictures’ specialty distributor, bought the rights for $15 million. The film has since become the distributor’s highest-grossing release.

Bear’s central problem is a fear of rejection. He loves Nicky, practices confessing his feelings with friends, then freezes when the moment arrives. After buying a supposedly wish-granting willow at a souvenir shop, he wishes that Nicky would love him more than anyone else. She immediately confesses her love and gradually becomes dangerously obsessive.

The film refuses to make either character a simple victim or villain. Bear can appear innocent, manipulative and selfish, while Nicky is both controlled like a doll and responsible for extreme violence. Instead of relying on loud scares and jump cuts, Barker uses long takes and quiet music to tighten the tension slowly. The 1.5:1 frame resembles a smartphone image and leaves broad empty space above the characters, adding to the unease. The film opens in South Korea on the second.

About this summary

Originally published by Hankyoreh in Korean. Translated, summarized, and contextualized automatically by DistantNews, with a note on how the source frames the story. Not individually reviewed before publishing. How this works.