Ian Tuason's 'Undertone' aims for auditory horror, but gets lost in themes

Canadian filmmaker Ian Tuason's first feature film, "Undertone," ventures into the realm of horror by focusing intently on sound design. The movie promises a "dry horror" experience, aiming to unsettle viewers primarily through what they hear, rather than what they see.

The film's premise suggests a deliberate effort to craft a disturbing auditory landscape, pushing the boundaries of how sound can evoke fear and tension. This approach positions "Undertone" as a potentially unique entry in the horror genre, relying on aural elements to create its chilling atmosphere.

However, the film's ambition appears to outstrip its execution, according to the description. While "Undertone" begins with a strong concept centered on sound, it reportedly drowns its initial idea in a "surcharge of themes and effects." This suggests that the film may become convoluted, losing its focused impact as it attempts to incorporate too many narrative threads or stylistic elements.

Ultimately, "Undertone" is presented as a film that, despite its promising sonic premise, struggles to maintain coherence and impact, leaving the audience with a sense of unease perhaps not entirely intended by its creators.