Javier Bardem is terrifyingly good in 'The Beloved'
Translated from Dutch, summarized and contextualized by DistantNews.
At a glance
- Javier Bardem delivers a powerful performance as a tyrannical director in the new film 'The Beloved'.
- The film explores difficult themes like abuse of power, toxic masculinity, guilt, and responsibility.
- Bardem's portrayal is praised for its subtlety and depth, conveying emotional terror and inner conflict without words.
Javier Bardem is proving to be exceptionally good in 'The Beloved,' where he shines as a bullying director. This year, 2026, is clearly Javier Bardem's year, with upcoming releases including 'Dune: Part Three' and 'Cape Fear.' However, he is already making a significant impact in 'The Beloved' as a domineering director, a role he seamlessly combines with his sharp worldview.
"I can't help it, because I want to be able to look myself in the mirror later," Bardem told VRT NWS. In 'The Beloved,' Bardem plays the renowned director Esteban Martinez, who unexpectedly offers his estranged daughter, Emilia, a role in his new film. Emilia struggles to understand why he is seeking contact after 13 years, especially given his past abandonment of her as a child. Furthermore, Martinez has a history of alcohol abuse and a reputation as a volatile tyrant on set.
I can't help it, because I want to be able to look myself in the mirror later
The film does not shy away from difficult themes such as abuse of power, toxic masculinity, guilt, and responsibility. While Bardem received his first Oscar nearly 20 years ago for his supporting role in 'No Country for Old Men,' where his character Anton Chigurh remains one of modern cinema's most terrifying villains, his portrayal of Esteban Martinez in 'The Beloved' is more nuanced and layered. This role focuses not on physical violence but on emotional terror. Martinez may not have blood on his hands, but he instills fear both on and off the set. He is a bully accustomed to getting his way, and his success means few dare to contradict him.
I was born in 1969. That was part of my culture. Spain was (under General Franco) a country for machos.
Yet, beneath the surface, doubt gnaws at him. He recognizes his failures as a father and seeks a way to atone, but he doesn't know how. Bardem masterfully conveys his character's burgeoning sense of guilt without dialogue. The Spanish actor skillfully projects brute strength and authority while simultaneously making his character's emerging guilt palpable through his body language, gaze, and silence. Martinez, the famous director, lacks the vocabulary to express his feelings, but Bardem communicates everything non-verbally.
Bardem often uses the first-person plural when discussing men raised as "alpha males." "I was born in 1969. That was part of my culture. Spain was (under General Franco) a country for machos." His own father was absent and abusive toward his mother, described as "very dominant." Bardem strives to parent his own children, a 15-year-old son and a 12-year-old daughter, entirely differently. He and his wife, actress Penรฉlope Cruz, arrange their schedules so that at least one of them is almost always home. Empathy and respect are central to their approach.
He was very dominant. But on the end of the day he stood alone.
Originally published by VRT NWS in Dutch. Translated, summarized, and contextualized by our editorial team with added local perspective. Read our editorial standards.