Julian Schnabel's new film is quite a mess
Translated from Finnish, summarized and contextualized by DistantNews.
At a glance
- Julian Schnabel's new film "In the Hand of Dante" is visually beautiful but narratively confusing.
- The movie juxtaposes the medieval Italian writer Dante Alighieri with the 20th-century American writer Nick Tosches.
- The film feels dated due to its convoluted storytelling, despite its aesthetic appeal.
Julian Schnabel's latest film, "In the Hand of Dante," is a visually striking production that falters in its storytelling. The movie attempts to weave together the lives of two writers across different eras: the medieval Italian poet Dante Alighieri, portrayed by Oscar Isaac, and the 20th-century American author Nick Tosches.
While the film's cinematography is lauded, its narrative structure is described as a "mess." The juxtaposition of these two literary figures, spanning centuries, contributes to a sense of confusion. The director and co-writer, Schnabel, seems to be the primary reason for the film's perceived lack of cohesion.
In the Hand of Dante -elokuva on kaunis kuviltaan mutta sekava sisรคllรถltรครคn.
Despite the potential of its dual-timeline narrative, "In the Hand of Dante" ultimately feels "prematurely outdated." The film's aesthetic qualities are overshadowed by its muddled content, leaving audiences with a beautiful yet ultimately unsatisfying cinematic experience.
Syytรค on Julian Schnabel.
Originally published by Helsingin Sanomat in Finnish. Translated, summarized, and contextualized by our editorial team with added local perspective. Read our editorial standards.