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"Late Fame": Willem Dafoe brings Arthur Schnitzler to New York
๐Ÿ‡ฆ๐Ÿ‡น Austria /Culture & Society

"Late Fame": Willem Dafoe brings Arthur Schnitzler to New York

From Die Presse · () German

Translated from German, summarized and contextualized by DistantNews.

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- A new film adaptation of Arthur Schnitzler's 1894 novella

Willem Dafoe stars as Ed Saxberger, a former poet and counterculture figure from the 1970s, in Kent Jones's new film "Late Fame." The movie, currently showing at Vienna's Gartenbaukino, adapts Schnitzler's 1894 novella, which was never published during the author's lifetime.

Dafoe, 70, portrays Saxberger as a gentle, melancholic postal worker whose artistic dreams were never realized. The story is set in contemporary New York, shifting from Schnitzler's fin-de-siรจcle Vienna. Saxberger's quiet life is disrupted when a young admirer, Meyers (Edmund Donovan), discovers his past work and seeks to introduce him to his circle of self-proclaimed radical aesthetes.

New discoveries are all well and good, but they can't compete with rediscoveries.

โ€” publisherA publisher's line in the film "Late Fame" highlights the commercial appeal of rediscovering past works.

The film functions as a satire of aspiring bohemians and a reflection on aging, vanity, and ephemerality in the art world. Director Jones, drawing from his own experiences, captures the familiar dynamics of male-dominated enthusiast circles, including false modesty, fierce ambition, and pseudo-intellectual jargon.

However, the movie is criticized for its tendency to present these characters as mere posers and caricatures, with their only humanizing trait being their sadness. The narrative leans into clichรฉs and caricatures, potentially overshadowing a deeper exploration of the themes.

He shows himself here from his gentle, melancholic side, not manic-eccentric.

โ€” articleThe article describes Willem Dafoe's performance as the aging artist.
DistantNews Editorial

Originally published by Die Presse in German. Translated, summarized, and contextualized by our editorial team with added local perspective. Read our editorial standards.