Monastir University Theater Days: The mirror and its cracks
Translated from French, summarized and contextualized by DistantNews.
At a glance
- The 20th edition of the Monastir University Theater Days in Tunisia faced significant organizational disarray, overshadowing artistic concerns.
- Participating troupes reported substandard sanitary conditions in university dormitories, with issues like lack of water and habitability raising dignity concerns.
- Critics described the event as the "worst ever," highlighting how the poor hospitality reflected negatively on Tunisia's image, especially for international guests.
The 20th edition of the University Theater Days (J.T.U.) in Monastir, Tunisia, has been marred by significant organizational failures, with material issues taking precedence over artistic considerations. The event, held in August 2026, has drawn widespread criticism for its disorganization, which organizers suggest is a symptom of deeper societal issues rather than a mere accident.
Several participating troupes, including those from abroad, reported alarming sanitary conditions in the university dormitories where they were housed. Testimonies indicate that the state of the facilities fell far below minimal standards for accommodation. Issues such as the lack of running water and the general habitability of the spaces were raised, with some comparing the conditions to a prison environment. This situation is seen as a failure to provide basic dignity to participants, particularly those who traveled internationally.
The article contrasts this imposed "misery" with a freely chosen "asceticism" by some artists. It argues that the absence of basic necessities like water not only exhausts and humiliates performers but also diverts their energy from creative pursuits to mere survival. This is particularly concerning for a university theater festival with regional and pan-Arab ambitions, as it impacts Tunisia's image among its peers.
Critics have noted an unusual consensus and intensity in the negative reception of this year's session. Dramaturgical critic Youssef Bahri labeled it "the worst of all sessions organized so far." The article posits that the disorganization and poor hospitality reflect poorly on Tunisia, turning a potential cultural showcase into a diplomatic counterexample. The failures are presented not just as logistical problems but as a commentary on the nation's artistic and cultural management.
Originally published by La Presse in French. Translated, summarized, and contextualized by our editorial team with added local perspective. Read our editorial standards.