Opera: Finnish Stars Praised Amid AI Scandal at Bayreuth
Translated from Finnish, summarized and contextualized by DistantNews.
At a glance
- The Bayreuth Festival in Germany is showcasing Finnish singers in key roles, but the production has been overshadowed by controversy over its use of artificial intelligence.
- Critics and audiences have expressed strong disapproval of the AI-generated visuals used in the staging of Wagner's "Ring" cycle.
- Soprano Camilla Nylund, performing Brรผnnhilde, shared her surprise at the AI's inclusion and criticized the production's costumes and direction, while still receiving praise for her performance.
The prestigious Bayreuth Festival, founded by composer Richard Wagner, features a notable Finnish contingent this year, with three singers taking on significant roles. However, the festival's main talking point has become its controversial use of artificial intelligence in the production of Wagner's epic "Ring" cycle.
First, they said we would do a concert version in the old sets. Then came the AI.
Critics and audiences alike have voiced considerable anger over the staging, which relies heavily on AI-generated imagery for Wagner's four-night "Ring of the Nibelung" tetralogy. Soprano Camilla Nylund, who portrays Brรผnnhilde, revealed that the singers themselves were surprised by the AI's integration. Initially, the plan was for a concert version with older sets, but the AI element was introduced later.
Of course, you can put Adolf Hitler and war imagery in the visuals [Hitler was an avid Bayreuth visitor], but there was a lot that had nothing to do with The Ring or Bayreuth's history.
Nylund, the first Finn to perform the demanding Brรผnnhilde role throughout the entire "Ring" cycle in Bayreuth, acknowledged that scandals are not uncommon at the festival. She noted that while historical imagery, such as Adolf Hitler's association with Bayreuth, could be incorporated, much of the AI-generated content seemed unrelated to "The Ring" or the festival's history. The production was directed by a "curator" whose sole instruction to the singers was to "stand still," a directive Nylund and her colleagues largely ignored, choosing instead to act out their roles.
The costumes are 'really ugly'. What was the point of dressing everyone in basically the same clothes and black wigs and sleeves? The costume designer thought we looked like leaves on a tree. That's how it is this summer.
Adding to the criticism, Nylund described the costumes as "very ugly," questioning the decision to dress everyone in similar black outfits and wigs, which she felt made them resemble "leaves on a tree." While AI is touted for cost savings, Nylund remains unconvinced, pointing to the expensive reflective material used for projections and the two years spent developing the AI content. Despite the production's issues, Nylund's performance as Brรผnnhilde has garnered significant praise from critics, who lauded her vocal performance and dramatic interpretation, even within the unconventional staging.
AI is said to save costs, but Nylund is not convinced. The reflective fiber in front of the singers was apparently very expensive, and people spent two years digging through material for the AI. Now there is The Ring that people are talking about. But a concert version could also have been made with fine sets.
Originally published by Helsingin Sanomat in Finnish. Translated, summarized, and contextualized by our editorial team with added local perspective. Read our editorial standards.