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People's Celebration as Haifa Wehbe Performs at Cultural Festival
๐Ÿ‡ธ๐Ÿ‡ช Sweden /Culture & Society

People's Celebration as Haifa Wehbe Performs at Cultural Festival

From Dagens Nyheter · () Swedish

Translated from Swedish, summarized and contextualized by DistantNews.

At a glance

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  • Lebanese pop diva Haifa Wehbe performed to a large, enthusiastic crowd at Stockholm's cultural festival.
  • The concert featured hits from her career, but the sound quality was criticized as poor, detracting from the experience.
  • The festival's booking of Arab pop stars like Wehbe and Elissa signals a serious engagement with the genre.

Stockholm's cultural festival buzzed with energy as Lebanese pop icon Haifa Wehbe took the stage on the final day. Under a rare late August heatwave, she drew an "deafening roar" from a massive crowd gathered at Gustav Adolfs Torg. Dressed in a short dress and high boots, Wehbe commanded attention, her presence blurring the lines between Stockholm and Beirut for a moment of "people's celebration" that "tasted of tabbouleh."

The people's celebration is a fact, and it tasted of tabbouleh.

โ€” Hasan RamicDescribing the atmosphere during Haifa Wehbe's performance at the Stockholm cultural festival.

Wehbe, a former model and Miss Lebanon runner-up, launched her music career in 2002 and has since become a major star in Arabic pop. Her style embodies the classic Lebanese pop diva persona: glamorous, distant, and polished, blended with modern, danceable production. Alongside artists like Nancy Ajram and Elissa, she defined a 2000s Lebanese pop wave that established Beirut as a hub for the Arab music industry.

Her greatness lies in how she manages the classic heritage of the Lebanese pop diva: the glamour, the distance, the perfectly polished surface, all paired with a modern, danceable production.

โ€” Hasan RamicAnalyzing Haifa Wehbe's artistic style and its significance in Arabic pop music.

During her hour-long set, Wehbe performed hits spanning her career to an appreciative audience. However, the review notes that while the sound was adequate near the stage, it was "terrible" further away, significantly diminishing the overall experience. Wehbe herself maintained a diva-like demeanor, minimizing movement and gestures, saving her energy for the performance. Her between-song banter, described as "sardonic" and "joking," was a significant part of the show for those who understood Arabic, adding to the enjoyment of the hit parade.

The sound is terrible.

โ€” Hasan RamicCritiquing the audio quality during Haifa Wehbe's concert.

The booking of Wehbe, following Elissa's performance the previous year, is seen as a positive sign that the festival is taking Arab pop music seriously. The reviewer expresses hope for future bookings, suggesting George Wassouf as a potential next act.

Wehbe herself is exactly as diva-like as the rumors suggest.

โ€” Hasan RamicCommenting on Haifa Wehbe's stage presence during her performance.
DistantNews Editorial

Originally published by Dagens Nyheter in Swedish. Translated, summarized, and contextualized by our editorial team with added local perspective. Read our editorial standards.