Photographer Arhant Shrestha Explores Distance and Memory in Kathmandu
Translated from English, summarized and contextualized by DistantNews.
At a glance
- Photographer Arhant Shrestha uses his art to confront personal trauma and explore his relationship with Kathmandu.
- His work 'Between Space and Memory' revisits his childhood imagination of the city, while 'Loose Fist' addresses fear stemming from a violent attack.
- Shrestha aims to understand Kathmandu and its people through photography, viewing the pursuit as a continuous drive despite the impossibility of full comprehension.
For Arhant Shrestha, photography has served as a powerful tool to bridge distances, both physical and emotional. His artistic journey is deeply rooted in Kathmandu, a city he has sought to understand through his lens since he was 14.
This tension is the starting point for both โLoose Fistโ and โBetween Space and Memoryโ
Shrestha's photographic practice is exemplified by two distinct bodies of work. 'Between Space and Memory' delves into the hazy, imagined Kathmandu of his childhood, a city he experienced through fragmented glimpses from a car window. This series explores the yearning for a place he barely knew, reflecting his interpretation of adolescence at 20.
In stark contrast, 'Loose Fist' confronts the trauma resulting from a violent attack in late 2023 that left Shrestha with a profound fear of men. Instead of withdrawing, he chose to photograph men in Kathmandu, an attempt to reclaim comfort and overcome his fear. He describes the photographs as initially not for artistic purposes but as a personal confrontation.
I believe that Iโll never be able to fully understand Kathmandu and its people. But the pursuit of uncovering as much as I can keeps me driven.
Despite their different subjects, both series share a common thread: the tension between observing from a distance and the desire for closeness. "This tension is the starting point for both 'Loose Fist' and 'Between Space and Memory'," Shrestha explains. He believes the pursuit of understanding Kathmandu and its people, though perhaps never fully achievable, is the core of his passion as a photographer.
The need to โdocumentโ photographically, and therefore attempt to understand the world around me, lies at the crux of my passion as a photographer
Originally published by Kathmandu Post in English. Translated, summarized, and contextualized by our editorial team with added local perspective. Read our editorial standards.