Reimagining calligraphy under the rain
Summarized and contextualized by DistantNews.
At a glance
- Artist Kristan Napit is innovating in calligraphy by applying decorative writing techniques to umbrellas, inspired by traditional Ranjana Lipi.
- Napit experiments with abstract designs and unique color palettes, transforming umbrellas into unconventional canvases for artistic expression.
- His work, which began as an exploration of new possibilities, faces technical challenges related to color durability and surface dynamics, requiring persistence and trial.
Kristan Napit, a fourth-year BA LLB student, is pushing the boundaries of calligraphy by applying decorative writing, particularly inspired by Ranjana Lipi, onto umbrellas. What began as an introduction to the art form two years ago has evolved into an experimental journey, transforming ordinary umbrellas into unique pieces of art.
When I initially started trying calligraphy, I moved from paper to wall and finally to an umbrella, a perfect canvas to explore new possibilities.
Napit's designs are abstract and intriguing, often featuring strokes that flow in parallel to the umbrella's circumference. He utilizes a distinctive color palette, with alternating strips of white and red strokes creating a visually striking effect. Some designs incorporate a multi-dimensional feel by superimposing white calligraphic layers over red ones, and the overall structure can project the style of a mandala. Each umbrella showcases unique designs and color combinations, making them more than just functional items.
Growing up in Bhaktapur, Napit was exposed to art and Ranjana Lipi from a young age, encountering the script on local temples. While grounded in this ancient script, his work moves towards abstraction, interpreting its rhythm and visual language through freestyle designs. He views this abstraction as an evolution of calligraphy, moving beyond traditional reproduction.
On paper or walls, colours feel safe. But on an umbrella, I always wondered, would the colours survive the rain?
Translating his art onto umbrellas presented significant technical challenges compared to paper or walls. Napit expressed concern about the colors' durability against rain. Through months of trial and persistence, using fabric paint and primarily paintbrushes, he has learned to understand color behavior and surface dynamics on this unconventional medium. Completing one umbrella takes a day or two, but the most time-consuming part is the conceptualization, preparation, and ideation process.
Calligraphy can be done through bamboo tools, markers or paint brushes. I mostly use a paintbrush.
Originally published by Kathmandu Post. Summarized and contextualized by our editorial team with added local perspective. Read our editorial standards.