Son, resistance of these times

The enduring spirit of Cuban son music is a source of immense pride and a vital thread in our nation's cultural tapestry. As Granma, we believe it's crucial to celebrate and protect this genre, which resonates deeply with the Cuban identity. The recent declaration of Cuban son as Intangible Cultural Heritage by UNESCO is a monumental achievement, recognizing its global significance while underscoring our responsibility to preserve it for future generations. This isn't merely about music; it's about the history, the dance, the fashion, and the very soul of Cuba.

The genre's golden era in the 1920s, exemplified by the Trío Matamoros, laid the foundation for its lasting legacy. The visual elements – the two-toned shoes, the straw hats, the crisp white linen suits – are as inseparable from son as the infectious rhythms themselves. While some may view these as mere clichés, for us, they are powerful symbols of authenticity and a connection to our roots. The ability of a septeto to take the stage and have audiences swaying to classics like 'Son de la Loma' or 'Chan Chan' is a testament to its timeless appeal and its power to make us feel profoundly Cuban.

From our perspective in Cuba, the international recognition by UNESCO is gratifying, but the real work lies in its continued practice and promotion within our island. The establishment of May 8th as Cuban Son Day is a government-backed initiative that reinforces our commitment. While international projects like 'El Joven Son' in the late 1990s helped reintroduce son to global audiences, showcasing its evolving nature, the heart of son remains here. We see it in the vibrant performances of groups like the Septeto Santiaguero and the continued dedication of artists who keep the genre alive and evolving, ensuring that this vital part of our heritage is not lost in translation or diluted by external influences. It's a living, breathing art form that continues to define us.