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๐Ÿ‡ฎ๐Ÿ‡ฑ Israel /Culture & Society

Venice art installation grapples with its Jewish history at 61st International Art Exhibition

From Jerusalem Post · () English

Summarized and contextualized by DistantNews.

At a glance

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  • Artist Anna Kamyshan's installation "Nabatele" at the Venice Biennale features a floating shtetl-style synagogue, exploring Jewish history and identity.
  • The work, an official collateral event, is presented in collaboration with the Montreal Jewish Museum and curated by Maria Veits and Yevgeniy Fiks.
  • "Nabatele" grapples with Venice's history as the site of the world's first Jewish ghetto, reversing the historical concealment of synagogues by elevating one visibly above the city.

Artist and architect Anna Kamyshan's installation "Nabatele," an official collateral event of the 61st International Art Exhibition of La Biennale di Venezia, presents a striking image: a shtetl-style synagogue suspended above the Venetian lagoon. The work, on view from July 16 to September 16 at Arsenale Nord, invites viewers to contemplate themes of identity, belonging, and memory.

"Nabatele" is described as playful, spiritual, and unsettling. It imagines a Jewish house of worship without a solid foundation, its windows perpetually lit to symbolize the Ner Tamid, the eternal light in synagogues. This illumination serves as a metaphor for a persistent, albeit fragile, source of light amidst times of war, displacement, and uncertainty.

Kamyshan, who is of Ukrainian Jewish heritage and Russian origins, describes the project as a personal exploration of identity. The installation's title combines the Hebrew word "nabat," meaning a warning or alarm, with the Yiddish diminutive suffix "-ele," creating a word that suggests both danger and tenderness. This duality reflects the complex layers of identity and the challenges of belonging within shifting borders.

The floating synagogue also resonates with Venice's own profound Jewish history. The city was home to the world's first Jewish ghetto, established in 1516, where synagogues were often hidden. Kamyshan's work subverts this history of concealment by elevating the synagogue, making it visible and illuminated. Furthermore, the installation evokes the memory of Eastern European wooden synagogues destroyed in the Holocaust, transforming them into an ethereal apparition rather than a conventional memorial.

Curated by Maria Veits and Yevgeniy Fiks and presented in collaboration with the Montreal Jewish Museum, "Nabatele" draws parallels to artistic explorations of the surreal, such as Renรฉ Magritte's "The Castle of the Pyrenees."

Nabatele is a very personal project, created while I was in search of my personal identity

โ€” Anna KamyshanArtist Anna Kamyshan explains the personal motivations behind her Venice art installation.
DistantNews Editorial

Originally published by Jerusalem Post. Summarized and contextualized by our editorial team with added local perspective. Read our editorial standards.