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Vienna Philharmonic with Riccardo Muti in Salzburg: Laugh in the Face of Death!
๐Ÿ‡ฆ๐Ÿ‡น Austria /Culture & Society

Vienna Philharmonic with Riccardo Muti in Salzburg: Laugh in the Face of Death!

From Die Presse · () German

Translated from German, summarized and contextualized by DistantNews.

At a glance

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  • The Vienna Philharmonic, conducted by Riccardo Muti, performed Verdi's Requiem in Salzburg.
  • The performance featured soloists Iwona Sobotka, Marianne Crebassa, Michael Spyres, and Maharram Huseynov.
  • The concert aimed to convey a message of hope through the powerful and dramatic music.

The Vienna Philharmonic, under the baton of Maestro Riccardo Muti, delivered a powerful rendition of Verdi's Requiem in Salzburg, offering a performance that resonated with themes of hope and mortality.

Free me, Lord, from eternal death on that terrible day.

โ€” Iwona SobotkaSinging the final "Libera me" scene of Verdi's Requiem.

The concert featured a stellar lineup of soloists, including soprano Iwona Sobotka, mezzo-soprano Marianne Crebassa, tenor Michael Spyres, and bass Maharram Huseynov. The Konzertvereinigung Wiener Staatsopernchor, meticulously prepared by Ernst Raffelsberger, provided a dramatic choral backdrop.

The choir โ€“ the Konzertvereinigung Wiener Staatsopernchor perfectly rehearsed as always by Ernst Raffelsberger โ€“ repeats and reinforces the panic in unison.

โ€” Concert ReviewerDescribing the choral performance and its effect.

Soprano Iwona Sobotka delivered a particularly striking performance in the final "Libera me" scene. Her rendition captured a sense of desperate plea, almost more spoken than sung, as she articulated the fear of eternal death. The choir echoed this panic in unison, while Muti's direction brought an eerie intensity to the pounding timpani and ethereal strings, with the brass section adding a sense of acute threat.

Riccardo Muti mysteriously stages the eerily pounding timpani and the supernally fading strings.

โ€” Concert ReviewerCommenting on Muti's direction of the orchestral elements.
DistantNews Editorial

Originally published by Die Presse in German. Translated, summarized, and contextualized by our editorial team with added local perspective. Read our editorial standards.