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Why Oasis breaking up was the best thing that ever happened to the band

From RTÉ News · () English

Translated from English and summarized by DistantNews. Read the original for the full story.

At a glance

News Sources not specified Context piece
  • “Don’t Look Back in Anger” chronicles Oasis’s reunion and comeback tour across 12 concerts on three continents.
  • The film presents the reunion as a story of forgiveness, redemption and music’s power to bring people together.
  • Its polished, carefully controlled style contrasts with the rougher energy of the earlier Oasis documentary “Supersonic,” disappointing viewers seeking the band’s familiar clashes.

The new Oasis reunion film reaches its emotional peaks by turning a spectacular comeback into a story about forgiveness and redemption. “Don’t Look Back in Anger” follows 12 concerts across three continents, but its central drama is more human than logistical: two estranged brothers finding a way back to the band that made them famous.

As Noel Gallagher puts it, “It turns out that the Oasis thing never went away . . .” The film picks up the story left unfinished by Mat Whitecross’s “Supersonic,” which charted Oasis’s rise from Burnage dreamers to Britpop royalty and ended with the band on a high after its 1996 Knebworth concerts.

It turns out that the Oasis thing never went away . . .

· Noel GallagherGallagher reflects on the band’s enduring presence in the new reunion film.

The missing chapter was the bitter split in Paris in 2009, when the brothers’ feud finally exploded backstage. The film revisits that rupture with the characteristic Gallagher bluntness. Liam recalls, “He’s making out as if I’ve stabbed one of his cats,” before reducing the episode to a simple explanation: “Leave it out, mate; we had a little argument.”

He’s making out as if I’ve stabbed one of his cats.

· Liam GallagherLiam describes Noel’s reaction to their 2009 split.

Writer Steven Knight and directors Dylan Southern and Will Lovelace give the reunion an epic rock-and-roll treatment. Shot in IMAX, the film looks impressive and technically polished. It also treats music as a force that can bring people together and help both performers and audiences heal.

That polish is also the film’s weakness. Compared with the punky raggedness of “Supersonic,” the new documentary feels heavily orchestrated, with the sheen of corporate spin. The volatile Oasis of old is largely absent. Instead, viewers see the New Oasis, a tightly drilled unit whose reunion depends on Noel staying, Liam appearing at every show and the old implosion not happening again.

Leave it out, mate; we had a little argument.

· Liam GallagherLiam characterizes the conflict that ended Oasis in Paris.
About this summary

Originally published by RTÉ News in English. Translated, summarized, and contextualized automatically by DistantNews, with a note on how the source frames the story. Not individually reviewed before publishing. How this works.