DistantNews
Support us
๐Ÿ‡ฆ๐Ÿ‡น Austria /Culture & Society

Boo! Yay! Hiss! The Classical Audience and Its (Im)proprieties

From Die Presse · () German

Translated from German and summarized by DistantNews. Read the original for the full story.

At a glance

In-depth Sources not specified Context piece
  • The article discusses extreme audience reactions in classical music concerts, including physical altercations and vocal outbursts.
  • It references historical incidents like the 1913 "slapping concert" in Vienna as examples of passionate, sometimes tumultuous, audience responses.
  • The piece explores the boundaries of acceptable audience behavior, debating when expressions of disapproval ('boos') or enthusiasm are appropriate.

The world of classical music, often perceived as staid and formal, has a history of surprisingly passionate and sometimes tumultuous audience reactions. This episode delves into the spectrum of audience behavior, from "brawls in the concert hall" and "flying dentures" to "uncontrolled cheers," exploring the question of when expressions like a "boo" are acceptable. The discussion takes place live from Vienna's Blickle Kino, bringing a unique, performative element to the topic.

Historical incidents, such as the infamous 1913 "slapping concert" (Wiener Watschenkonzert) at the Wiener Musikverein, serve as stark examples of how music can provoke extreme reactions. This event, which involved physical altercations and flying objects, not only captured the attention of music critics but also the court reporters, illustrating the potent emotional impact of musical performances.

Katrin Nussmayr and Wilhelm Sinkovicz, hosts of the podcast "Klassik fรผr Taktlose" (Classics for the Tactless), navigate through different eras, from Wagner to Stravinsky, examining calculated scandals and inappropriate applause. They attempt to establish a "moral boo-compass" and discuss the etiquette surrounding applause and expressions of enthusiasm. The episode acknowledges that despite concert hall conventions, emotions often run high, and strong reactions, whether positive or negative, are part of the shared experience between performers and the audience.

About this summary

Originally published by Die Presse in German. Translated, summarized, and contextualized automatically by DistantNews, with a note on how the source frames the story. Not individually reviewed before publishing. How this works.