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'Fastest This Year' Horror Queen Kim Hye-yun Achieves Break-Even for 'The Devil's Tomb' Despite Drama Flop [Official]
๐Ÿ‡ฐ๐Ÿ‡ท South Korea /Good News

'Fastest This Year' Horror Queen Kim Hye-yun Achieves Break-Even for 'The Devil's Tomb' Despite Drama Flop [Official]

From Chosun Ilbo · (2d ago) Korean Positive tone

Translated from Korean, summarized and contextualized by DistantNews.

TLDR

  • The horror film 'The Devil's Tomb' (Salmokji) starring Kim Hye-yun achieved its break-even point within a week of its release.
  • The film surpassed 800,000 viewers on its seventh day, recouping its entire production costs.
  • This marks the fastest break-even point for a film released in 2026.

South Korean audiences have flocked to the new horror film 'The Devil's Tomb' (Salmokji), starring the immensely popular Kim Hye-yun. In a remarkable display of the film's appeal, it has achieved its break-even point in just seven days, a feat that has seen it recoup its entire production budget. This rapid success, with over 800,000 viewers by the seventh day, solidifies its position as the fastest film to reach profitability this year.

The film's strong performance at the box office, including holding the number one spot for six consecutive days after its premiere, highlights Kim Hye-yun's star power and the audience's appetite for thrilling horror content. The swift recovery of investment is a significant achievement for the production and distribution company, Showbox, underscoring the film's commercial viability and widespread appeal.

'The Devil's Tomb' is not just a commercial success; it represents a significant moment for the Korean film industry, demonstrating its ability to produce captivating genre films that resonate deeply with domestic audiences. The film's rapid financial success is a testament to its quality and the effective marketing strategies employed, promising a bright outlook for its continued run in theaters.

DistantNews Editorial

Originally published by Chosun Ilbo in Korean. Translated, summarized, and contextualized by our editorial team with added local perspective. Read our editorial standards.