German Film Academy to Discuss Art Alteration After Wenders Film Withdrawal
Translated from German, summarized and contextualized by DistantNews.
At a glance
- The German Film Academy announced plans for a discussion on altering artworks after director Wim Wenders withdrew his 1975 film "False Movement" over a nude scene.
- Wenders apologized to actress Nastassja Kinski, who was 13 at the time, for the scene and asked for the film to be removed from distribution.
- The academy will host an event in September to explore the legal, ethical, and artistic dimensions of changing art, seeking a broad exchange on the issue.
The German Film Academy is initiating a public discussion on the controversial topic of altering artworks, prompted by director Wim Wenders' decision to temporarily withdraw his 1975 film "False Movement." The film's removal stems from a nude scene featuring a then 13-year-old Nastassja Kinski, for which Wenders has since apologized.
Wenders stated that his film foundation would halt all current distribution forms, instructing streaming, TV, and distribution partners to make the film inaccessible. This move follows Kinski's alleged years-long requests for the scene's removal. In a statement, Wenders expressed regret, acknowledging Kinski "should have been better protected" at the time.
The question raised by Wim Wenders, whether films and other artworks should, must, or may be changed retrospectively, has triggered intensive debates not only publicly but also within the German Film Academy.
The academy, led by actress Vicky Krieps and director Florian Gallenberger, acknowledged the intense debate the issue has sparked, both publicly and internally. They plan to hold an event in September to address the multifaceted legal, ethical, artistic, and cultural dimensions of modifying art. The academy aims for an open and nuanced exploration, recognizing the need for society to find appropriate ways to handle contentious works from the 20th century and to engage with new learning processes and perspectives.
Nastassja Kinski should have been better protected back then.
Originally published by Die Zeit in German. Translated, summarized, and contextualized by our editorial team with added local perspective. Read our editorial standards.