Mapping the Melodies of the Qur'an: A Study on Sheikh Musthafa Ismail

An academic study is delving into the intricate world of "nagham," the melodic and modal structures that shape the sound of Al-Qur'an recitation, with a particular focus on the legendary Egyptian qari, Sheikh Musthafa Ismail.

KH Mudrik Qori, the head of Pondok Pesantren Al-Ittifaqiah in South Sumatra, defended his doctoral dissertation on this subject at Universitas Muhammadiyah Malang. His research, titled “Model Pembelajaran Nagham Al-Qur’an Syekh Musthafa Ismail di Pesantren Al-Ittifaqiah Indralaya Ogan Ilir Sumatera Selatan,” aims to academically map the living tradition of Qur'anic melody.

Sheikh Musthafa Ismail (1905-1978) is revered not just for his beautiful voice but for his unparalleled command of over 19 maqamat, or musical modes, and their intricate variations. Egyptian media dubbed him the "king of maqamat." His recitations were known for their long breath, extensive knowledge of qiraat (recitation methods), and seamless transitions between modes, captivating listeners.

Qori's research highlights how Ismail used these musical elements not merely as embellishments but as a form of sonic exegesis. The study suggests that Ismail's melodic choices were deeply intertwined with the meaning of the verses, differentiating the delivery of verses containing threats from those of mercy, or commands from narratives. This approach underscores the principle that music serves the Qur'an, not the other way around, a distinction Qori finds theologically significant.

The study analyzes authentic recordings and transmission pathways to understand Ismail's learning model. This work seeks to bridge the gap between the oral, "ear-to-ear" transmission of nagham and formal academic study, preserving and analyzing a vital aspect of Islamic sonic heritage.

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Musik tidak menyeret Al-Qur’an mengikutinya; musiklah yang diperintah mengikuti Al-Qur’an.