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๐Ÿ‡ฆ๐Ÿ‡น Austria /Culture & Society

Peter Handke's "Snow of Yesterday" premieres at Salzburg Festival

From Der Standard · () German

Translated from German, summarized and contextualized by DistantNews.

At a glance

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  • The Salzburg Festival premiered Peter Handke's new text, "Schnee von gestern, Schnee von morgen" (Snow of Yesterday, Snow of Tomorrow).
  • Following the performance, the Nobel laureate was celebrated for his text, which explores themes of disappearance.
  • The stage design featured a chaotic arrangement of furniture, contributing to the production's unique atmosphere.

The Salzburg Festival hosted the premiere of Peter Handke's latest work, "Schnee von gestern, Schnee von morgen" (Snow of Yesterday, Snow of Tomorrow). The production, directed by Jossi Wieler, featured Jens Harzer as the "Querfeldeingeher" (the one who walks across the field) and Marina Galic as the "inwendige Stimme" (inner voice), who engaged in a dialogue that explored the text's central themes.

Following the performance, the Nobel laureate Peter Handke received acclaim for his writing, which delves into the concept of disappearance. The play's stage design, created by Anja Rabes, presented a striking visual. It resembled a chaotic aftermath, as if a storm had swept through a room of taste-neutral office furniture, leaving shelves, panels, and hinges in disarray. This deliberately disheveled setting, observed impassively by a raven from the first side box, was occupied by the two speakers as if it were the most natural thing in the world.

The audience's reaction and the overall atmosphere at the festival highlighted the continued significance of Handke's literary contributions. The production's unique staging and the thematic depth of his text invited contemplation on memory, presence, and absence.

DistantNews Editorial

Originally published by Der Standard in German. Translated, summarized, and contextualized by our editorial team with added local perspective. Read our editorial standards.