Rencontres d’Arles 2026: In Ghana, Photography Fights Imperialism
Translated from French, summarized and contextualized by DistantNews.
At a glance
- The Rencontres d’Arles 2026 will feature an exhibition in Ghana exploring photography's role in post-colonial identity.
- The exhibition will showcase how images accompanied Ghana's independence and the reshaping of its national identity after British rule.
- Photography is presented as a tool against imperialism and a means of reclaiming cultural narratives.
The upcoming Rencontres d’Arles 2026 photography festival will highlight Ghana's post-colonial journey through an exhibition focused on the power of images. Titled 'Photography Against Imperialism,' the event will delve into how photography has been instrumental in shaping Ghana's national identity since its liberation from British rule in 1957.
The exhibition will explore the dual role of photography: as a visual record of the struggle for independence and as a tool for reconstructing a national identity free from colonial influence. Images, whether published in books or displayed as prints, played a crucial part in this process, accompanying the nation's emergence as a sovereign state.
By centering the exhibition in Ghana, the Rencontres d’Arles aims to amplify African voices and perspectives. It positions photography not just as an artistic medium but as a significant force in challenging imperial narratives and asserting cultural self-determination. The event promises to offer a unique lens on Ghana's history and the enduring impact of visual culture.
Originally published by Libération in French. Translated, summarized, and contextualized by our editorial team with added local perspective. Read our editorial standards.