"Self-Portrait" by Thomas Clerc: His Business is Others
Translated from French, summarized and contextualized by DistantNews.
At a glance
- Thomas Clerc's exhibition at the Institut mémoires de l'édition contemporaine features archives that do not belong to him.
- The exhibition, titled "Autoportrait," explores Clerc's self-representation through the lens of others' documents.
- This unique approach questions the nature of autobiography and the construction of identity through collected materials.
Thomas Clerc is presenting a unique exhibition titled "Autoportrait" at the Institut mémoires de l'édition contemporaine (IMEC). The exhibition delves into Clerc's self-exploration, but with a distinctive twist: it utilizes archives that are not his own.
This unconventional approach to a self-portrait challenges traditional notions of autobiography. Instead of relying on personal diaries or direct accounts, Clerc constructs his narrative through a collection of documents, letters, photographs, and other materials that belong to others. These archives, gathered from various sources, become the building blocks for his self-representation.
The exhibition invites viewers to consider how identity is formed and perceived through external artifacts and the memories of others. By weaving his story through these borrowed materials, Clerc prompts a reflection on the subjective nature of self-narration and the ways in which we are shaped by the world around us and the traces we leave behind.
Originally published by Libération in French. Translated, summarized, and contextualized by our editorial team with added local perspective. Read our editorial standards.