A cinema of choice: Inside Gauthali Entertainment’s feminist practice
Summarized and contextualized by DistantNews.
TLDR
- Gauthali Entertainment, a feminist production company based in Kathmandu, Nepal, focuses on creating films that explore women's inner worlds and choices.
- Founded by Sahara Sharma and Abhimanyu Dixit, the company integrates filmmaking with activism and education, advocating for feminism as a practice rather than just a slogan.
- Despite Nepal's male-dominated film industry, Gauthali has found enthusiasm for its feminist approach, though international reception views it as a simple characteristic of their work.
Gauthali Entertainment is carving a unique space within Nepal's film industry, demonstrating that a feminist approach to filmmaking is not only possible but also resonates with audiences.
We do not like each other.
Founded by Sahara Sharma and Abhimanyu Dixit, Gauthali operates on the principle that feminism is a way of working, advocating, and creating, moving beyond mere rhetoric. Their work, including the award-winning 'Chasing Rainbows,' delves into the complexities of women's lives, offering a perspective often missing in Nepali cinema, which frequently centers women but rarely explores their inner lives or contradictions.
But we surely love us.
While the Nepali film industry is largely male-dominated, Gauthali has experienced a surprisingly positive reception to their identity as a feminist production company. This contrasts with the international view, where their feminist stance is seen as a characteristic of their work rather than a defining statement. This local embrace highlights a growing awareness and acceptance of feminist ideals within Nepal, even as structural barriers persist.
a cool acquaintance
Gauthali's commitment to choice as the core of feminism is evident in their collaborative and flexible production process. They allow narratives to unfold organically, ensuring that stories central to femininity are told with authenticity and depth. This approach challenges the traditional portrayal of female characters in Nepali cinema, which often remain confined within patriarchal norms, even when placed at the center of the story.
The whole point of feminism for us is choice.
Originally published by Kathmandu Post. Summarized and contextualized by our editorial team with added local perspective. Read our editorial standards.