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Grigory Sokolov receives standing ovation at Santander festival
๐Ÿ‡ต๐Ÿ‡พ Paraguay /Culture & Society

Grigory Sokolov receives standing ovation at Santander festival

From ABC Color · () Spanish

Translated from Spanish, summarized and contextualized by DistantNews.

At a glance

In-depth Named sources Context piece
  • Pianist Grigory Sokolov concluded his performance at the Santander International Festival with a lengthy standing ovation.
  • The acclaimed Russian pianist, now a Spanish citizen, performed nearly three hours of music, including works by Beethoven and Schubert.
  • Sokolov, known for his intense dedication to live performance, eschews recordings and interviews, focusing solely on his piano recitals.

The Santander International Festival bid farewell to acclaimed pianist Grigory Sokolov with a prolonged standing ovation on Tuesday night. The maestro from St. Petersburg gifted the audience nearly forty minutes of encore music, capping off a performance that left attendees deeply moved.

Sokolov's return to Santander was a highly anticipated event, celebrating the festival's 75th anniversary. Tickets for the recital sold out, reflecting the artist's unique ability to transform each concert into an unparalleled musical experience for both himself and his listeners. The pianist arrived two days prior, immersing himself in intense preparation, including the meticulous selection of one of two pianos available, each of which he believes possesses its own distinct personality.

Emerging onto the dimly lit stage in his signature black tailcoat, Sokolov immediately captivated the audience. His nearly three-hour program featured Beethoven's 'Sonata No. 4' and 'Bagatelles,' along with Schubert's 'Sonata No. 21.' These selections represent music he deeply loves and feels compelled to perform, showcasing his profound connection to the repertoire.

Widely regarded as one of the greatest pianists of his generation, Sokolov is celebrated for his unique interpretive style and passionate engagement with music. He dedicates himself entirely to live performance, generously extending concert times, much like Bruce Springsteen. However, he deliberately avoids promotional activities, interviews, and the trappings of fame. He also chooses to perform solo, having long ago ceased playing chamber music or concertos with orchestras, and exclusively releases live recordings from his concerts, shunning studio productions.

DistantNews Editorial

Originally published by ABC Color in Spanish. Translated, summarized, and contextualized by our editorial team with added local perspective. Read our editorial standards.