Paris Jackson criticizes "Michael", her father's biopic: "there are many lies"
Translated from Spanish, summarized and contextualized by DistantNews.
TLDR
- Paris Jackson, daughter of Michael Jackson, criticized the biopic "Michael," calling it "fantasized."
- She stated the film contains "many lies" and does not reflect reality, catering to a specific, idealized segment of the fandom.
- Jackson expressed disappointment that her input was not considered during the film's production.
The recently released biopic "Michael," aiming to capture the life of the legendary King of Pop, is facing significant backlash from an unexpected quarter: the artist's own daughter, Paris Jackson. In a candid statement, Paris voiced her profound disappointment, labeling the film a "fantasized version" that deviates sharply from the truth. Her critique centers on what she perceives as a deliberate distortion of her father's life, presented to appease a specific subset of fans who, in her view, prefer to live in an idealized fantasy rather than confront reality.
No había dicho nada hasta este punto porque sé que muchos de ustedes van a ser felices. Es una versión fantasiosa
Paris Jackson's comments highlight a growing tension between artistic interpretation and familial legacy. She lamented the "dishonesty" embedded within the film, suggesting that the filmmakers prioritized commercial appeal and a particular narrative over factual accuracy. Her assertion that "they didn't listen to me" points to a perceived exclusion from the creative process, despite her position as a key figure in Michael Jackson's family. This lack of consultation, she implies, has resulted in a film that fails to honor her father's true story.
La película se adapta a una sección muy específica del fandom de mi papá que todavía vive en la fantasía y les va a encantar
While the film "Michael" has achieved considerable commercial success, grossing over $82 million globally in its opening weekend, Paris Jackson's critique raises important questions about authenticity in biopics. Her preference for "honesty over sales and monetary gain" resonates with a desire for respectful and truthful representation of public figures, especially when dealing with complex and often controversial lives. Her plea to be "left out of this" underscores a personal struggle with a portrayal she finds fundamentally flawed, urging audiences to engage with the film critically while acknowledging her own distanced perspective.
Hay muchas mentiras…No me gusta la deshonestidad. No me escucharon. A todos les va a gustar la película. Ve a verla, disfrútala. Déjenme fuera de esto
DistantNews Editorial
Originally published by El Universal in Spanish. Translated, summarized, and contextualized by our editorial team with added local perspective. Read our editorial standards.
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