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Shi Shun-bing, Wang Yong-tian's 25-Year Pursuit of Taiwan's Jun Red Craftsmanship on Display

From Liberty Times · () Chinese

Translated from Chinese, summarized and contextualized by DistantNews.

At a glance

News Named sources Context piece
  • Two individuals, Shi Shun-bing and Wang Yong-tian, are showcasing their 25-year research into ancient Chinese copper-red glazes through an exhibition in New Taipei City.
  • The exhibition, titled "A Millennium's Rendezvous: Taiwan Jun Red Exhibition," features 33 ceramic works inspired by historical Jun, Ji, Douzi, and Lang kiln red glazes.
  • The project aims to elevate Taiwanese ceramic art on the global stage, with Shi Shun-bing offering guided tours to share his research and creative concepts.

For a quarter-century, veteran media figure Shi Shun-bing and seasoned ceramic artist Wang Yong-tian have dedicated themselves to unraveling the mysteries of "Jun red" glazes. Their extensive research, spanning Song, Ming, and Qing dynasty imperial wares, has culminated in the "A Millennium's Rendezvous: Taiwan Jun Red Exhibition." The show, running until August 19th at the New Taipei City Art Center, presents 33 meticulously crafted ceramic pieces.

After the 921 earthquake in September 1999, he and Wang Yong-tian met and, based on their love for Jun and copper-red glazed ceramics, launched the Jun red research project.

โ€” Shi Shun-bingExplaining the origin of their 25-year research project.

The duo's journey began after the devastating 1999 Jiji earthquake. United by a shared passion for copper-red glazed ceramics, they launched their research initiative. Wang Yong-tian, who had previously invested millions in perfecting copper-red glazes, faced setbacks when the earthquake destroyed his kilns. With Shi Shun-bing's unwavering support, he revived his work, becoming a master of Jun and copper-red firing. Their ambition extends beyond personal achievement; they aspire to see Taiwanese ceramic art gain international recognition.

Wang Yong-tian had invested millions of savings in his early years to study copper-red glaze pottery. The 921 earthquake destroyed the kilns and interrupted his creation.

โ€” Shi Shun-bingDescribing the challenges faced by his collaborator.

Shi Shun-bing explained that the exhibition's works primarily utilize Taiwanese clay, shaped through hand-throwing techniques. The "thick body, thick glaze" method, combined with copper as a colorant fired under various atmospheric conditions, creates unique, flowing textures. This approach, he noted, draws from centuries of imperial Chinese ceramic traditions while incorporating modern artistic expression. The research also delves into 19th-century European ceramic developments, offering a global perspective. These findings are documented in Shi's book, "The Beauty of Taiwan Jun Red: Comparative Analysis of Collections in Major World Museums."

With Shi Shun-bing's support, he restarted the kilns and continued his research, now becoming a ceramic artist specializing in Jun and copper-red glaze firing.

โ€” Shi Shun-bingHighlighting the perseverance and eventual mastery achieved.

The exhibition opening drew notable figures, including former Minister of Justice Shih Mao-lin and artist Li Jian-yi. Shi Shun-bing will regularly host guided tours, sharing his research journey and creative philosophy with visitors. The exhibition highlights a blend of historical depth and contemporary artistry, aiming to leave a lasting impression on the world of ceramics.

They also hope that Taiwanese ceramic art can make a name for itself in the world, so they promoted the Jun red research project.

โ€” Shi Shun-bingStating their ambition for Taiwanese ceramic art.
DistantNews Editorial

Originally published by Liberty Times in Chinese. Translated, summarized, and contextualized by our editorial team with added local perspective. Read our editorial standards.