'Tang Monk' Chi Chong-shui gives up inheritance of wife's $6.7 billion fortune

The passing of the immensely wealthy businesswoman Chen Lihua has brought renewed attention to her husband, veteran Chinese actor Chi Chong-shui, famous for his iconic portrayal of Tang Sanzang in the 1986 'Journey to the West'. In a poignant display of devotion and a stark contrast to public speculation about his intentions, Chi has formally relinquished his inheritance rights to his late wife's colossal fortune, estimated at $6.7 billion.

Instead of claiming a substantial share of the commercial assets, stocks, and real estate, Chi has opted to retain only the lifelong management of the China Sandalwood Museum. This decision, made shortly after Chen Lihua's death, has resonated deeply with many, silencing years of rumors that painted him as a man dependent on his much older, wealthier wife. His visible grief at the funeral, leaning on a cane and with tear-filled eyes, offered a powerful counterpoint to such cynical narratives.

Chi's statement regarding his decision underscores a shared vision with his late wife. He expressed that the museum, a testament to their joint passion, should belong to the nation and cultural enthusiasts, rather than an individual. This selfless act, while surprising to some, aligns with the values often associated with the character he famously embodied, Tang Sanzang, known for his spiritual detachment and pursuit of higher ideals.

From a Chinese perspective, this story touches upon several cultural themes: the enduring nature of love and loyalty, the respect for cultural heritage, and the traditional values that often prioritize spiritual or nationalistic sentiment over material wealth. While Western media might focus on the sheer scale of the fortune renounced, Chinese media, like Tuoi Tre, would likely highlight the actor's noble gesture, framing it as a testament to his character and his deep connection to his late wife and their shared cultural legacy. The narrative emphasizes that true wealth lies not in monetary possessions but in shared passions and contributions to national heritage. Chi's decision is seen not just as a personal choice but as a reflection of deeply held cultural values, reinforcing the idea that some things are more precious than money.

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The museum is our passion, but it should not belong to individuals, but to the country and those who love sandalwood culture.