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Exploring who we are in ‘Khorlo / Wheel’

From Kathmandu Post · (5m ago) English

Summarized and contextualized by DistantNews.

TLDR

  • Takpa Gallery is hosting 'Khorlo / Wheel,' a group exhibition featuring four Tibetan diaspora artists from India until May 2, 2026.
  • Curated by Tenzin Gyurmey, the exhibition uses the 'wheel' metaphor to explore the fluid and relational nature of identity, influenced by inherited histories and cultural memory.
  • The works by Choenyi Dolma, Tashi Druketsang, Tashi Nyima, and Tenzin Melak engage with themes of selfhood, religious philosophy, personal memory, and the connection between past and present selves.

The Takpa Gallery's 'Khorlo / Wheel' exhibition offers a profound exploration of identity through the lens of four distinct Tibetan diaspora artists. By bringing together Choenyi Dolma, Tashi Druketsang, Tashi Nyima, and Tenzin Melak, the exhibition delves into the complexities of selfhood for those navigating inherited histories and cultural memory while living outside their ancestral homeland.

Curator Tenzin Gyurmey's choice of 'Khorlo,' the Tibetan word for 'wheel,' is particularly apt. It symbolizes not just cyclical movement and continuity but also the interdependence that defines both existence and identity. This metaphor perfectly captures the artists' shared inquiry into how individuals understand themselves amidst the weight of the past and the unfolding present. Their diverse artistic practices, ranging from abstraction to traditional mediums like sewing and painting, all converge on this central theme of a fluid, ever-evolving identity.

For the Tibetan diaspora, the concept of identity is deeply intertwined with displacement and the preservation of culture. This exhibition provides a vital platform for these artists to articulate their experiences, offering a nuanced perspective that resonates with the broader community. It challenges monolithic definitions of identity, instead celebrating its multifaceted and dynamic nature, a perspective that is crucial for understanding the diaspora's unique cultural narrative.

Like a wheel in motion, identity never settles into a final form; it turns through memory, experience and encounter, endlessly reshaping the space between past inheritance and the unfolding present.

— Tenzin GyurmeyDescribing the exhibition's central theme of identity as a continuous, evolving process.
DistantNews Editorial

Originally published by Kathmandu Post. Summarized and contextualized by our editorial team with added local perspective. Read our editorial standards.