Iceland's Architectural Advantage: Nature as Inspiration, Says Kengo Kuma
Translated from Icelandic, summarized and contextualized by DistantNews.
TLDR
- Japanese architect Kengo Kuma believes Japan can learn from Iceland's approach to architecture, particularly its deep connection with nature.
- Kuma criticizes the global trend of "internationalism" in architecture, which favors standardized designs and materials like concrete, steel, and glass.
- He emphasizes the importance of "place" as a key concept, advocating for designs that frame nature and utilize light, natural materials to enhance transparency and local identity.
Renowned Japanese architect Kengo Kuma, during a recent visit to Iceland, shared his admiration for the nation's architectural philosophy, suggesting that Japan could learn valuable lessons from its unique approach. Kuma, known for his work on the Tokyo Olympic Stadium, highlighted Iceland's profound connection with nature as a significant advantage that other countries, including his native Japan, could emulate.
Kuma articulated a critique of contemporary global architecture, lamenting the pervasive "internationalism" that leads to homogenized designs and the overuse of materials like concrete, steel, and glass. He argued that this trend erodes local identity and diminishes the importance of craftsmanship. In contrast, he praised Iceland's seemingly different mindset, which appears more attuned to its environment and fosters a stronger sense of place.
Few places in the world are as well and deeply connected to nature as Iceland. That is your advantage over other countries, and you should use it to your benefit.
For Iceland, Kuma's observations are a powerful affirmation of its inherent strengths. His emphasis on "place" as a foundational concept in design resonates deeply with a nation whose identity is so intrinsically linked to its dramatic natural landscapes. Kuma's vision suggests a collaborative future where Japan and Iceland can exchange architectural insights, leveraging Iceland's deep-rooted environmental consciousness and Japan's innovative design capabilities. This perspective offers a unique angle, valuing local distinctiveness over global uniformity, a sentiment that likely finds a receptive audience in Iceland.
The problem with modern architecture is internationalism. One idea, one method, one design has been used all over the world. And the same materials, concrete, steel, and glass. This kills not only the identity of the place but also the craftsmanship. It is a great sin for humanity. What works in one place does not necessarily work in another.
Originally published by Morgunblaรฐiรฐ in Icelandic. Translated, summarized, and contextualized by our editorial team with added local perspective. Read our editorial standards.